I. M. Pei: Life Is Architecture at M+ Museum Hong Kong
M+ will present the first major retrospective of I. M. Pei (1917–2019), one of the greatest architects of the twentieth and twenty-first centuries. Pei’s high-profile projects were realised over seven decades with an exceptionally wide geographic reach, including Bank of China Tower in Hong Kong, the modernisation of the Grand Louvre in Paris, the National Gallery of Art East Building in Washington, D.C., and Museum of Islamic Art in Doha. These iconic landmarks solidified Pei’s prominent position in architectural history and popular culture
Giovanna Silva. A bride’s photoshoot captured from Passage Richelieu at the Grand Louvre in Paris, 2021 Photo commissioned by M+
M+ will present the first major retrospective of I. M. Pei (1917–2019), one of the greatest architects of the twentieth and twenty-first centuries. Pei’s high-profile projects were realised over seven decades with an exceptionally wide geographic reach, including Bank of China Tower in Hong Kong, the modernisation of the Grand Louvre in Paris, the National Gallery of Art East Building in Washington, D.C., and Museum of Islamic Art in Doha. These iconic landmarks solidified Pei’s prominent position in architectural history and popular culture. His life and work weave together a tapestry of power dynamics, geopolitical complexities, cultural traditions, and the character of cities around the world. I. M. Pei: Life Is Architecture properly appraises for the first time the work of this pivotal Chinese American architect, whose transcultural vision laid a foundation for the contemporary world.
Architect Ieoh Ming Pei, selected to design the JFK Memorial Library. © John Loengard / The LIFE Picture Collection / Shutterstock
The exhibition takes an expanded and closer look at Pei’s practice through six themes representing areas of focus and approaches throughout his career: ‘Transcultural Foundations’, ‘Real Estate and Urban Redevelopment’, ‘Art and Civic Form’, ‘Material and Structural Innovation’, ‘Power, Politics, and Patronage’, and ‘Regenerating Cultural and Historical Archetypes’. They reveal how Pei navigated regional and local contexts, defined architecture as a facilitator for cultural production and formation of civic space, Page 9 of 16 and investigated new interpretations of tradition. The themes place Pei’s practice in close dialogue with social, cultural, and biographical trajectories that show architecture and life to be inseparable. Realised through over five years of preparation, the exhibition features a rich selection of drawings, sketches, videos, models, photographs, and other archival documentation, many of which will be on view for the first time.
To lend a contemporary lens to Pei’s work, the exhibition presents newly commissioned photographs of Pei’s iconic and lesser-known buildings by a new generation of photographers: South Ho, Naho Kubota, Lee Kuo-min, Giovanna Silva, Mohamed Somji, Tian Fangfang, and Yoneda Tomoko. Architectural models of Pei’s built and unbuilt projects are also made in collaboration with architecture schools at The University of Hong Kong and The Chinese University of Hong Kong.
Mohamed Somji: View of the faceted central structure of the Museum of Islamic Art in Doha, 2022
Photo commissioned by M+
Exhibition details
I. M. Pei: Life Is Architecture is curated by Shirley Surya, Curator, Design and Architecture, M+ and Aric Chen, General and Artistic Director of Het Nieuwe Instituut, Netherlands, assisted by Naomi Altman, Curatorial Assistant, M+ and Iris Ng, Curatorial Assistant, M+.
Opening in: June 2024
Location: West Gallery, M+
For more information, please visit: https://www.mplus.org.hk/en/exhibitions/i-m-pei-life-is-architecture/