MARIE DE VILLEPIN: MURMURATION
Murmuration, the debut solo exhibition of Marie de Villepin in Hong Kong, opening on November 17th, 2022.Through her art we are entering in the enchanted world of fierce gestures and roaring sound created by ballet birds in the sky. Marie captures the grace and energy of such moments through colors, shapes and rhythm.
Marie de Villepin, Year of the Tiger, 2022, 215 x 298 cm. Photo courtesy of Villepin.
Villepin is pleased to present Murmuration, the debut exhibition of Marie de Villepin in Hong Kong, marking her first major solo exhibition in Asia. The title Murmuration originally describes the enchanting gesture and roaring sound created by ballet birds in the sky in certain seasons. In a similar movement to these birds, Marie captures the energy of various worlds where her multifaceted practice has long experimented with intrinsic expressions through colours, shapes, and rhythm.
For Marie, the canvas is not so much a conventional painting material as an all-receptive medium, a tabula rasa, on which she lays down her diverse ideas and personal experiences, expressed more often by the harmony of colours than by any preordained meaning of figures. After spending much of her life abroad, moving from one culture to another, Marie began sketching, not only to capture the colour or emotion of a moment, but also to ward off the dizziness of frantic change in the passing of life and time.
Her paintings are expansive configurations of spatial experimentations that articulate abstraction as an ever-shifting field. She draws upon ideas from different states and times to explore the spatial relation of each form and the space in between. Shifting and unraveling layers of paint, each figure and shape appear and recede in a multiplicity of directions, drawing viewers among unknown territories and experiences.
In her works, music plays a key role generating a certain rhythm of swaths of brushstrokes that diverge and converge. Where does it begin? Where does it lead us to? Marie’s works explore the importance of mobility and memory, and the relentless changes in forms, where identities, communities, and technologies in this postmodern world can at once be aggressive, oppressive, and repulsive. Through her works, she questions the key issues of our time and introduces new paths through her imagination with its own words and music, in which motifs are repeated, rhythms impart textures, and sounds alternate with voids, stringing together chords and sublimating emotions.
Today, there is a general tendency to follow a certain opinion or a predesigned algorithm, to swarm in the same direction of a multitude. In a constantly overstimulated world of configurations of layers, the urge to find order, meaning and perhaps beauty, within chaotic conditions becomes more palpable. Marie’s works reintroduce us to a new path of discovery through a deep amalgamation of formal aesthetics that encompass her travels and experiences, one that is deeply allegorical and personal.
In the spirit of "Murmuration," the exhibition will adopt an evolutive nature, beginning with Marie’s works and gradually evolving to take its own shape. In addition to paintings and drawings, personal stories and inspirations from art, music, film, and photography that influenced her creative practice, will also transform the exhibition, transporting viewers onto a temporal visual as well as auditory voyage.
Exhibition Opening: 17 November 2022 - March 2023
Space: 53-55 Hollywood Road, Central, Hong Kong
(By Appointment only)
About the Artist
Marie de Villepin in her studio, 2022, photo by Louis Stimes. Courtesy of Villepin.
Born in 1986 in Washington, D.C., Marie de Villepin grew up in the United States and in India. Art was a constant feature in her upbringing as she began developing her musical and drawing skills throughout her frequent travels, filling dozens of notebooks, which allowed her to fix moments and emotions as a chronicle of her life. Growing up in a diplomatic household, Marie had the chance to surround herself with a prominent circle of poets, musicians, filmmakers, and painters including Zao Wou-Ki, a family friend. She was inspired by influential post-war American artists, including Willem de Kooning, Cy Twombly, Joan Mitchell, and Philip Guston. In particular, she admired the musicality, freedom, and capacity for transcendence in their works.
In 2005, Marie moved to New York, and then to Los Angeles, where she developed various musical projects, before devoting herself entirely to painting. In search to deepen links between colours, sounds and rhythm, she took a decisive step to transcribe her inner world onto canvas: painting what she sees and where she lived in a way perhaps to ward off exile, loneliness and doubts through an accumulation of brushstrokes. Gradually, her whole world started taking shape, complete with imaginary landscapes, creatures, and machines of all sorts. Her works trace through space and time, oscillating between figuration and abstraction.
Marie has participated in a number of group exhibitions in New York, Los Angeles, Beijing, and Hong Kong. In 2019 she presented her first solo exhibition titled New Creatures, which marked her return to Paris. In March of 2022 after the pandemic, she presented The Lost Weekend a combination of works made in the United States and in France. In June, Marie was selected as one of the twelve artists to receive Le Prix Antoine Marin. The prize is presented by the gallery Julio Gonzalez in Paris, where each young artist is nominated by a renowned artist: Marie was nominated by Anselm Kiefer. She is currently working on a major institutional exhibition scheduled for 2023 at a museum in China.
M+ first Special Exhibition, Yayoi Kusama: 1945 to Now
M+, Asia’s first global museum of contemporary visual culture in the West Kowloon Cultural District in Hong Kong, is pleased to announce the museum’s first Special Exhibition: Yayoi Kusama: 1945 to Now, to be opened on M+’s first anniversary, 12 November 2022 (Saturday) through 14 May 2023 (Sunday), with HSBC as Lead Sponsor. M+ also announces the ticketing arrangements for General Admission and Yayoi Kusama: 1945 to Now, both of which take effect on 12 November 2022 (Saturday), and unveils its programme of exhibitions for the second year of opening.
M+, Asia’s first global museum of contemporary visual culture in the West Kowloon Cultural District in Hong Kong, is pleased to announce the museum’s first Special Exhibition: Yayoi Kusama: 1945 to Now, to be opened on M+’s first anniversary, 12 November 2022 (Saturday) through 14 May 2023 (Sunday), with HSBC as Lead Sponsor. M+ also announces the ticketing arrangements for General Admission and Yayoi Kusama: 1945 to Now, both of which take effect on 12 November 2022 (Saturday), and unveils its programme of exhibitions for the second year of opening.
M+ celebrates its first anniversary with a Special Exhibition by visionary artist Yayoi Kusama
Yayoi Kusama: 1945 to Now is the largest retrospective of renowned artist Yayoi Kusama in Asia outside Japan, featuring more than 200 works from major collections from museums and private collections in Asia, Europe, and the United States, the M+ Collection, as well as from the artist’s own collection. Co-curated by Doryun Chong, Deputy Director, Curatorial and Chief Curator, M+, and Mika Yoshitake, independent curator, the exhibition introduces a new interpretative approach to Kusama’s over seven-decade career and invites viewers to discover the transformative power of art. The retrospective highlights the core aesthetic elements of Kusama’s work and foregrounds her recurring philosophical questions about life and death and her longing for interconnectedness. The exhibition explores how Kusama has become a global cultural icon who creates vital and influential work to this day.
Suhanya Raffel, Museum Director, M+, says, ‘M+ has achieved unprecedented success in its first year of opening on 12 November 2021. Notwithstanding the temporary closure of the museum from January to April this year due to the pandemic, it has already welcomed over 1.53 million visitors. This strong show of public support is a testament to the museum’s role in transforming and enriching the cultural ecology in Hong Kong and Asia and making contemporary visual culture more accessible to all. We are proud to present Yayoi Kusama: 1945 to Now to our audiences, as the internationally acclaimed artist’s cross-disciplinary and global art practice resonates with the essence of what M+ offers. We look forward to another splendid year ahead with a terrific line-up of exhibitions and programmes.’
Organised chronologically and thematically, and spanning from Kusama’s earliest work to her most recent output, Yayoi Kusama: 1945 to Now features a wide range of paintings, installations, sculptures, drawings, collages, moving images, and archival materials. The exhibition examines Kusama's practice as it developed in Japan, the United States, Europe, and beyond through six themes: Infinity, Accumulation, Radical Connectivity, Biocosmic, Death, and Force of Life.
The exhibition presents three brand-new works to audiences for the first time. Death of Nerves (2022) is a large-scale installation commissioned by M+. Installed in the Lightwell that connects the museum’s ground floor and the basement levels and draping down to the Found Space on the B2 level, the work can be viewed from multiple vantages throughout the M+ building. Dots Obsession—Aspiring to Heaven's Love (2022), presented in The Studio on the B2 level, is an ambitious immersive environment that includes one of the artist’s signature mirrored spaces. Two large sculptures titled Pumpkin (2022) will be available for public viewing in the Main Hall on the ground floor.
“Yayoi Kusama is one of the most influential and inspiring artists of our time. Her Asian roots, transnational history, as well as her singular artistic language and philosophy that she has developed from the 1940s to now, have all contributed to making her the leading cultural figure she is now globally. This is the first time in Greater China the full trajectory of Kusama’s art is presented in a comprehensive retrospective exhibition providing a holistic and unique perspective on the accomplishments of this visionary artist.”
To accompany the exhibition, Thames & Hudson will publish Yayoi Kusama: 1945 to Now in collaboration with M+. Edited by Doryun Chong and Mika Yoshitake, this comprehensive and richly illustrated 400-page publication features contributions by the editors as well as Isabella Tam, Associate Curator, Visual Art, M+, and Alex A. Jones, independent researcher and writer. The publication is a collection of curatorial essays, thematic texts, a visual chronology of Kusama’s life, a roundtable discussion with leading authorities in the field, and a selection of poetry, manifestoes, past interviews, and previously unpublished artist writings. Both English and Chinese editions are available for pre-order at the M+ Shop online starting from 15 September 2022. In addition, a series of public programmes will be available throughout the exhibition period. Visitors are invited to dive deeper into Kusama’s art practice with curators’ talks, screenings, and family-friendly activities with details to be announced later. For further details about Yayoi Kusama: 1945 to Now, please refer to the fact sheet at Appendix 1.
Yayoi Kusama: 1945 to Now is supported by HSBC, Lead Sponsor, together with HKT as Major Sponsor, Louis Vuitton and The Macallan as Supporting Sponsors and Cathay Pacific as Airline Partner of the exhibition.
“M+’s exhibition sheds new light on Yayoi Kusama’s art philosophy and life. Kusama has transformed her personal experiences—the challenges she has faced in her career, as well as her lifelong battle with mental health—into a creative force through the regenerative power of healing amidst our global pandemic era. We are delighted to introduce audiences to this artist’s profound vision through new thematic trajectories as well a newly commissioned work.”
M+ announces ticket arrangements after first anniversary
Admission fees to M+ exhibitions are waived for the first year since its opening on 12 November 2021. All visitors can enjoy free admission to M+ exhibitions until 11 November 2022 (Friday). Thanks to the overwhelming support of the local community, as of 14 September 2022 (Wednesday), more than 1.53 million visitors have visited M+ for free. Starting from its first anniversary on 12 November 2022, visitors are required to purchase tickets in advance to access all M+ exhibitions, except for Hong Kong: Here and Beyond, one of the museum’s opening exhibitions presented in the Main Hall Gallery on the ground floor, which will maintain free access for the public during its exhibition period until June 2023.
General Admission tickets are priced at HK$120 for adults and HK$60 for visitors eligible for concessionary fare, which entitle them to visit all M+ exhibitions except Yayoi Kusama: 1945 to Now on B2 level and in West Gallery on the second floor; whereas Yayoi Kusama: 1945 to Now tickets, which allow visitors access to all galleries, are priced at HK$240 for adults and HK$150 for concession. Admission to Pumpkin (2022) and Hong Kong: Here and Beyond on the ground floor and the B1 level of the museum respectively will be free of charge.
Tickets for both General Admission and Yayoi Kusama: 1945 to Now for the period from 12 November 2022 (Saturday) to 31 January 2023 (Tuesday) will be available for online purchase starting from 10am on 13 October 2022 (Thursday). M+ Members and Patrons can enjoy priority booking for tickets to Yayoi Kusama: 1945 to Now during the Priority Booking period from 29 September 2022 (Thursday) to 12 October 2022 (Wednesday). For further details about M+ tickets, please refer to M+ and West Kowloon Cultural District websites and the fact sheet at Appendix 2. Further details will be announced in the first half of October 2022.
Visitors are encouraged to seize the last chance to book their free visit to M+ until 11 November 2022 (Friday) via the designated online booking platform.