Osaka Art & Design 2024 (Copy)
"Immerse yourself in the dynamic and colorful Osaka Art & Design Festival, slated for 2024. With 50 unique venues and 140 captivating exhibits spanning the city's major areas from north to south, you'll have the chance to explore an array of awe-inspiring artistic creations. From innovative furniture designs to cutting-edge fashion pieces and everything in between, this festival promises to showcase some of the most exciting up-and-coming creators in the industry. Prepare to be swept away on a truly unforgettable journey of art and design!"
"Experience the vibrant Osaka Art & Design Festival in 2024. Explore artistic marvels across
50 venues and 140 contents spanning major areas from north to south.
"Immerse yourself in the dynamic and colorful Osaka Art & Design Festival, slated for 2024. With 50 unique venues and 140 captivating exhibits spanning the city's major areas from north to south, you'll have the chance to explore an array of awe-inspiring artistic creations. From innovative furniture designs to cutting-edge fashion pieces and everything in between, this festival promises to showcase some of the most exciting up-and-coming creators in the industry. Prepare to be swept away on a truly unforgettable journey of art and design!"
The Osaka Art & Design 2024 (OAD) will tour Osaka for four weeks from May 29 to June 25, 2024, offering an immersive experience of art and design.
The Osaka Art and Design (OAD) festival is not just another art event - it is the largest and most diverse art and design festival that Osaka has ever witnessed! With around 50 galleries and shops spanning from Umeda to Namba, the festival offers a unique opportunity to explore the emerging artists' diverse array of artistic expressions. From furniture to fashion, there is something for everyone. Visitors can immerse themselves in the artworks and purchase pieces that resonate deeply with their aesthetic sensibilities. Don't miss out on this incredible opportunity to experience the best of Osaka's art and design scene!
In 2023, OAD debuted with 50 exhibitors, 150 artists and designers, and 80,000 visitors. Since then, it has rapidly evolved. This year's theme "Resonance - Expanding the Echo" aims to create synergistic interactions that unleash new creative energies. The event aligns perfectly with the upcoming 2025 Osaka/Kansai Expo, amplifying Osaka's dynamic spirit. Creators from across Japan, especially from the vibrant Kansai region, will converge at this annual gathering. The event unites department stores, art galleries, and interior shops to showcase Osaka's cultural richness globally.
One of the main events in this program lineup is the "HANKYU ART FAIR 2024" which will be held at Hankyu Umeda Main Store. The event will feature renowned artists such as Kohei Nawa, as well as up-and-coming talents like Daisuke Oba and Mika Shinagawa. It will also showcase collaborations such as Reiko Sudo's textile exhibition at Takashimaya Osaka Store, which represents Osaka's innovative spirit.
One of the highlights of the event is the official program "HIZO market" which will unveil exclusive works and prototypes by creators. This initiative aims to create a new creative market, expanding the boundaries of art and design.
“Through the vehicle with plate number OAD2024, we aim to showcase Osaka’s creative talents on a global scale and contribute to the art and design scene in the Kansai region. By partnering with us , we hope to facilitate meaningful interactions between people and artworks, fostering connections that inspire creativity. Your participation is crucial in elevating Osaka as a prominent hub for creativity.”
For more information about Osaka Art & Design 2024, please visit: https://osaka-artanddesign.com
Date: May 29 (Wednesday) to June 25 (Tuesday), 2024, for 4 weeks
Concept: Resonance—Expanding the Echo
Areas: Umeda, Dojima, Nakanoshima, Tenma, Kyomachibori, Minami-Senba, Shinsaibashi, Namba, and
other locations within Osaka City
Venues: Open spaces, galleries, shops, department stores, commercial facilities
Organizer: Osaka Art & Design 2024 Executive Committee
Osaka Terminal Building Co., Ltd./Daimaru Matsuzakaya Department Stores Co., Ltd./Takashimaya Co.,
Ltd. Osaka Store/Hankyu Hanshin Department Stores, Inc./Nankai Electric Railway Co., Ltd./Hankyu
Corporation (Administrative agent: Hankyu Hanshin Real Estate Co., Ltd.)/General Incorporated Association
Umeda 1-chome Area Management *As of April 18, 2024
Exhibitors: Creators (artists, designers), brands, galleries, shops, and other facilities/corporations from
Japan and abroad (about 50 places)
Producer: General Producer Akio Aoki (DESIGNART)
Key Visual Design: Kenta Shibano
NAOMI MILGROM FOUNDATION UNVEILS DESIGN FOR MPAVILION 10 BY TADAO ANDO
The Naomi Milgrom Foundation today unveiled the design for MPavilion 10, commissioned from Pritzker Prize-winner Tadao Ando of Japan. One of the world’s leading architects, Ando’s design for MPavilion 10 reflects his signature use of striking geometric interventions in nature and his precise, assured use of concrete. MPavilion 10 will open this summer, kicking off the annual five-month design festival of free public programming in Queen Victoria Gardens, located in the centre of Melbourne. This will be the tenth MPavilion festival, which has grown to become one of Australia’s most visited and impactful festivals, attracting more than 350,000 people this past year.
MPavilion 10 is Ando’s first project in Australia and inspires the programming for a free five-month design festival beginning in Melbourne’s summer
The Naomi Milgrom Foundation today unveiled the design for MPavilion 10, commissioned from Pritzker Prize-winner Tadao Ando of Japan. One of the world’s leading architects, Ando’s design for MPavilion 10 reflects his signature use of striking geometric interventions in nature and his precise, assured use of concrete. MPavilion 10 will open this summer, kicking off the annual five-month design festival of free public programming in Queen Victoria Gardens, located in the centre of Melbourne. This will be the tenth MPavilion festival, which has grown to become one of Australia’s most visited and impactful festivals, attracting more than 350,000 people this past year.
Conceived as a new meeting place within Melbourne’s cultural and botanic garden precinct, Ando’s design for MPavilion encapsulates his desire to create a memorable structure that responds directly to the park setting. It strives for spatial purity, employing the geometry of circles and squares to create a space in harmony with nature. MPavilion 10 features a large canopy, a 14.4-metre aluminum-clad disc resting on a central concrete column. Two offset squares create two entrances that lead to the centre of the pavilion. Concrete walls of varying lengths partially enclose the space to create a tranquil sanctuary reminiscent of a traditional Japanese walled garden. A long (19,400mm x 225mm) horizontal opening running both the length of the north and south walls frames views of downtown Melbourne and the parklands, connecting the city and lush greenery of Queen Victoria Gardens to MPavilion's interior. The geometric forms and symmetry are reinforced by an internal arrangement that is half paved, and half reflecting pool, which mirrors the pavilion canopy, sky, city, and surrounding nature.
“The design began with a desire to create a sense of eternity within Melbourne’s garden oasis,” shared Tadao Ando. “I wanted to create an experience that will last forever in the hearts of all who visit. I imagine an architecture of emptiness, that lets light and breeze enter and breathe life into it. A place that resonates with the environment, becomes one with the garden, and blossoms with infinite creativity. MPavilion 10 is designed to encourage encounters between people, the natural world, and endless dialogue.”
"Tadao Ando’s architecture is remarkable because it radically affects the way we perceive the world around us,” said Naomi Milgrom, commissioner of MPavilion. “Like Tadao Ando, I am passionate about architecture that promotes public life and encourages social interaction, and thrilled that Australians will be able to experience directly his genius through this incredibly special meeting place for conversation, the exchange of ideas, and contemplation. We look forward to seeing how visitors, designers, artists, and others will respond to this dramatic and serene space, as well as the creativity it will generate.”
About Tadao Ando
Born 1941 in Osaka, Japan. Self-taught in architecture. Established Tadao Ando Architect & Associates in 1969. Major works include the Church of the Light, Pulitzer Arts Foundation, and Chichu Art Museum. Awarded the Architectural Institute of Japan (AIJ) Annual Prize for the Row House in Sumiyoshi in 1979, Japan Art Academy Prize in 1993, Pritzker Architecture Prize in 1995, Person of Cultural Merit (Japan) in 2003, International Union of Architects (UIA) Gold Medal in 2005, The Kennedy Center International Committee on the Arts Gold Medal in the Arts in 2010, Shimpei Goto Award in 2010, Order of Culture (Japan) in 2010, Commander of the Order of Arts and Letters (France) in 2013, Grande Ufficiale dell’Ordine della Stella d’Italia (Italy) in 2015, and Isamu Noguchi Award in 2016. Held solo exhibitions at the Museum of Modern Art (MoMA) in 1991 and Centre Pompidou in 1993. Taught as a visiting professor at Yale University, Columbia University, and Harvard University. Professor at the University of Tokyo from 1997. Professor emeritus of the University of Tokyo since 2003.
About Naomi Milgrom and the Naomi Milgrom Foundation
Naomi Milgrom AC is an Australian business leader, fashion entrepreneur, philanthropist, and arts patron with an international reputation for initiating and supporting cultural innovation. In 2020, Ms. Milgrom was awarded the nation’s highest honour, Companion to the Order of Australia, for eminent service to the community through philanthropic leadership and support for the promotion of the arts.
The Naomi Milgrom Foundation, established by Ms. Milgrom in 2014, is dedicated to bringing exceptional art, architecture, and design to the lives of all Australians. The not-for-profit organisation pivots on a central purpose—to enhance the presence and influence of creative culture in Australia. This is accomplished through the active support of artists, designers, and creative institutions, the fostering of collaborations between bodies and disciplines, the championing of art and design education, and an overarching commitment to making the arts more accessible to more people across the country. Driven by the conviction that art and design have the power to enrich the lives of individuals, nourish communities, boost economies, and improve the potential of cities. The Naomi Milgrom Foundation has become the gold standard for facilitating projects between public and private sectors.
About MPavilion
MPavilion, conceived and created by Naomi Milgrom as an initiative of the Naomi Milgrom Foundation in 2014, is Australia’s most idea-driven commissioning program and an important annual design festival. Over ten years, this ambitious program has commissioned pavilions by leading international architects, each of which has served as a unique public gathering spot in Melbourne’s historic Queen Victoria Gardens. Each MPavilion inspires a diverse range of programming during the free five-month design festival, and related commissions by designers, artists, and other creatives. At the close of each MPavilion, the Naomi Milgrom Foundation gifts the pavilion to the people of Victoria and relocates it to a new, permanent, public home where it continues to be enjoyed by the community as part of a growing collection of public contemporary architecture. In its first ten years, MPavilion has grown to become one of Australia’s most visited and impactful festivals, attracting more than 350,000 people during the 2022-23 season and has helped build Melbourne’s reputation as the Design Capital of Australia.
Since its inception, MPavilion has been shortlisted or won more than 40 national and international design and architecture awards and commendations, including: Winner of Urban Developer Awards for Industry Excellence in the ‘Excellence in Community Engagement’ category (2021); Winner of the Good Design Awards Gold Accolade in the ‘Architectural Design – Urban Design and Public Spaces’ category (2019); Winner of the Australian Institute of Landscape Awards – ‘Landscape Architecture Award’ (2018); Designboom’s ‘World’s Top Temporary Structures for 2016’; and Winner of Detail Magazine’s ‘DETAIL PRIZE 2016’, among many others. Past architects have included: Rachaporn Choochuey, all(zone), Thailand (2022); Francesco Magnani and Traudy Pelzel, MAP Studio, Venice (2021); Glenn Murcutt, Australia (2019); Carme Pinós, Estudio Carme Pinós, Barcelona (2018), Rem Koolhaas and David Gianotten, OMA, Netherlands (2017); Bijoy Jain, Studio Mumbai, India (2016); Amanda Levete, AL_A, United Kingdom (2015); Sean Godsell, Sean Godsell Architects, Australia (2014).
Image credits: Rendering of MPavilion 10 by Tadao Ando, courtesy of Tadao Ando Architect & Associates.
5 young talents selected for "UNDER 30! at DesignArt Tokyo
DESIGNART TOKYO” is one of Japan’s largest design and art festivals. Now is the time that new ideas, creative thinking, and actions that embody them are particularly needed, DESIGNART TOKYO, with this year’s theme: “CHANCE!”, will showcase innovative design and art from Tokyo to the world. Varieties of creators and brands have already confirmed their participation in this multi-venue festival, and five fresh talents are selected for the “UNDER30” program that supports young creators.
“DESIGNART TOKYO” is one of Japan’s most significant design and art festivals. Now is when new ideas, creative thinking, and actions that embody them are particularly needed, DESIGNART TOKYO, with this year’s theme: “CHANCE!” will showcase innovative design and art from Tokyo to the world. Varieties of creators and brands have already confirmed their participation in this multi-venue festival, and five fresh talents are selected for the “UNDER30” program that supports young creators. Here are some of the agenda of DESIGNART TOKYO 2021:
Five young talents selected for “UNDER30”!
Since its first year, DESIGNART TOKYO has been supporting young creators through the “UNDER 30” program. Among many competitive applicants, five international creators have been selected by the founders of DESIGNART.
AROUNDANT
Kentaro Takagi's "W-M project" is an attempt to create a new textile that is beyond anyone's control by combining the structure of a loom and the movement created by playing an instrument.
"Less than instrument" by Soichiro Tanaka is a lighting work in which a Led chip is embedded in expanded metal, which is a building material, giving the impression that there is no light source. Based on the creative activities that each of them has done, "purism" is set as a common theme, and two works that have been updated according to DESIGNART TOKYO 2021 will be exhibited.
Kathleen Reilly
Kathleen Reilly is a Scottish artist and metalworker based in Tsubame city in Japan’s Niigata prefecture. She graduated from the Royal College of Art in 2018 and is represented by Gallery S O in London.
Exploring new territory in how we interact with every day, artist, and metalworker Kathleen Reilly presents Oku, a new knife design made in collaboration with local cutlery manufacturers in Tsubame city.
ATSUSHI SHINDO
Atsushi Shindo works as an interior designer. His works focus on the primitive charm of unremarkable materials that are closely related to our life. Traveling around Japan made him rediscovered the diversity of design. These are fostered by nature and climate. He has found a lot of sparkle of joy in abundant nature and techniques in Toyama has visited Toyama a few times in these years. This exhibition aims to think about future design through the making process.
salt in
“salt in” is a design unit established by Shanshan Liu and Xiulai Zhou. They are both designers from China, graduated from Musashino Art University. Learning by trial and error, they are exploring the “seasoning” of design. People usually see an object as what it is on the outside, its appearance and senses, without suspecting its internal matters.
We want to pull the inside traces and expressions out of its external shell. By turning the inside out, we shift the scenes of production, usage, destruction, circulation, and restoration of existing products, to create works that convey a new common sense, while maintaining the impressions in the sensory and perceptual experiences.
Hiromasa Fukaji
Hiromasa Fukaji is Designer,Artist. Continuing the pursuit of original graphic expression centered on the technique of creating accidental expression using a plotter (equipment that outputs vector data). "Plotter Drawing" is a technique in which digital data is converted into physical movement by a plotter. Physical factors such as friction, gravity, humidity, and atmospheric pressure act to create "accidental expressions" such as blurring. Plotter Drawing is an expression technique that intentionally creates accidental expressions at the boundaries between digital and real.
From art to design furniture - Introducing the part of programs not to be missed!
Two designers and their unconventional approaches: Sho Ota’s wooden works x januka’s jewelry
Jo Nakamura, the jewelry designer of januka, goes beyond the conventional use of materials and techniques. In his flagship store in Aoyama opened earlier this year, works by Sho Ota, a Dutch-based designer/artist will be exhibited. Ota has enhanced his research at wood furniture atelier into his collection, including a stool called “Surfaced”. Based on their solid technical skills, the two designers taking unconventional and innovative approaches will co-create a unique space.
New works by Christophe Pillet
「FLEXFORM 2021 COLLECTION」＠FLEXFORM TOKYO
Founded in Lombardy, Italy in 1959, "FLEXFORM" is 100% domestically produced in Italy and offers the highest quality furniture with the excellent technology of skilled craftsmen. Antonio Citterio, a Master of Interior Design who has been supervising the brand for over 40 years, expresses a consistent and elegant world that is timeless. At FLEXFORM TOKYO in Minami Aoyama, the FLEXFORM 2021 COLLECTION will be unveiled. The designer intentionally stripped the design of non-essentials, to then focus on “the details, the precise proportions and masterful execution, inherent features that inescapably define the quality of that object”. new production “ANY DAY TABLE" & Also pay attention to "ECHOES CHAIR", which has added variations following last year.
“Tomio Koyama Gallery” introducing Shooshie Sulaiman with her solo exhibition
Tomio Koyama Gallery has long been in the center of the contemporary art world, and actively participating in international art fairs. In recent years, the gallery introduces diverse artists from established to young talents, regardless of their origins or genres.
During DESIGNART TOKYO 2021, a solo exhibition of a contemporary artist, Shooshie Sulaiman from Southeast Asia will be held. Shooshie, of mixed Malay and Chinese heritage, pursues the history of Southeast Asia, the culture of her home country Malaysia, as well as her own memory and identity through her works. Through diverse approaches such as drawings, collages, installations, and performances, her works often appropriate natural elements from trees, soil, to water that is native to the land. Bringing an almost mystical air in her works, she proposes complex and inextricably connected relationships between human beings, nature, and art.
DESIGNART TOKYO 2021
Date: October 22nd (Friday) - October 31st (Sunday)
Area: Omotesando, Gaien-mae / Harajuku, Meiji-jingu-mae / Shibuya / Daikanyama / Roppongi / Shinjuku / Ginza / ONLINE
Organizer：DESIGNART TOKYO Committee
The founders of DESIGNART: Akio Aoki (MIRU DESIGN), Shun Kawakami (artless Inc.),
Hiroshi Koike (NON-GRID), Okisato Nagata (TIMELESS), Astrid Klein & Mark Dytham (Klein Dytham Architecture).
Official website： http://designart.jp/designarttokyo2021/en/