Call for project proposals for OPEN SITE 9 by Tokyo Arts and Space (TOKAS)
TOKAS (Tokya Arts and Space) has supported artists throughout their careers through open call exhibitions, exhibitions of contemporary artists, and international fellowships. Now TOKAS is accepting project proposals for OPEN SITE 9, which will take place at TOKAS Hongo from November 2024 to February 2025.
We are looking for projects that explore new forms of expression or art/culture that reflect society's current state.
Tokyo Arts and Space is an arts center dedicated to the creation and promotion of contemporary artistic expression from Tokyo and supports a wide spectrum of artistic activities including crossover and experimental projects. Established in 2001 as Tokyo Wonder Site (TWS), an initiative for the support and nurturing of young artists, it was renamed Tokyo Arts and Space in 2017.
Tokyo Arts and Space (TOKAS) is now calling for project proposals for OPEN SITE 9, which will be held at TOKAS Hongo from November, 2024 to February, 2025 and looking for creative projects which explore new expression/art/culture reflecting the contemporaneous sociality.
[Application Deadline]
2024/3/30 (Sat) *JST
[Application Overview] Proposal must fulfill all conditions below.
(1) Projects that can be realized using a space such as: Exhibitions, Installations, Research presentations, Performing arts, Films and Audio-visual works, Lectures, Symposiums or Workshops and any other projects which are related to above or combined projects.
(2) Projects which explore new expression/art/culture reflecting the contemporaneous sociality.
(3) Projects which are well structured and have unique originalities.
[Format of presentation]
A. Exhibition (Exhibition period: about a month / Admission: Free of charge)
B. Performance (Execution period: 6 days/ Ticket price must be set)
C. dot (Execution period: 6 days / Admission: Free of charge)
[Support by TOKAS]
Please refer the application outline for the details.
(1) Providing a space at TOKAS Hongo for projects for free of charge.
(2) Providing a subsidy for productions of works and projects as follows.
A. Exhibition: 400,000 JPY
B. Performance: 200,000 JPY
C. dot: 100,000 JPY
(3) Installation support for the Exhibition projects/ Stage operation support of 200,000 JPY for the Performance projects.
(4) Transportation cost will be provided: Max 200,000 JPY for the Exhibition and Performance projects, max 20,000 JPY for the dot projects.
(5) The ticket revenue of each project will be given as artist fee. *Performance projects only.
(6) Publication of exhibition catalog *Exhibition projects only.
(7) TOKAS Residency as accommodation for those who live in places far from Tokyo. *Exhibition and Performance projects.
(8) Assisting a part of PR and management of the project.
[Venue]
Tokyo Arts and Space Hongo
2-4-16 Hongo, Bunkyo-ku, Tokyo
[Execution Period]
Part 1: 2024/11/23 (Sat) – 2024/12/22 (Sun)
Part 2: 2025/1/11 (Sat) – 2025/2/9 (Sun)
*Closed on Mondays (except national holiday)
[Jury Members]
KISHIMOTO Kako (Director, BUoY)
KOBAYASHI Haruo (Director, blanClass)
HATANAKA Minoru (Chief curator, NTT InterCommunication Center [ICC])
KONDO Yuki (Program Director, Tokyo Arts and Space)
[Application Fee]
Free
For more information, please visit:
https://willap.jp/t?r=AAAJGAhUayNQBi.gLrAOLSgtKcqKxJTUiCdCpQ
NAOMI MILGROM FOUNDATION UNVEILS DESIGN FOR MPAVILION 10 BY TADAO ANDO
The Naomi Milgrom Foundation today unveiled the design for MPavilion 10, commissioned from Pritzker Prize-winner Tadao Ando of Japan. One of the world’s leading architects, Ando’s design for MPavilion 10 reflects his signature use of striking geometric interventions in nature and his precise, assured use of concrete. MPavilion 10 will open this summer, kicking off the annual five-month design festival of free public programming in Queen Victoria Gardens, located in the centre of Melbourne. This will be the tenth MPavilion festival, which has grown to become one of Australia’s most visited and impactful festivals, attracting more than 350,000 people this past year.
MPavilion 10 is Ando’s first project in Australia and inspires the programming for a free five-month design festival beginning in Melbourne’s summer
The Naomi Milgrom Foundation today unveiled the design for MPavilion 10, commissioned from Pritzker Prize-winner Tadao Ando of Japan. One of the world’s leading architects, Ando’s design for MPavilion 10 reflects his signature use of striking geometric interventions in nature and his precise, assured use of concrete. MPavilion 10 will open this summer, kicking off the annual five-month design festival of free public programming in Queen Victoria Gardens, located in the centre of Melbourne. This will be the tenth MPavilion festival, which has grown to become one of Australia’s most visited and impactful festivals, attracting more than 350,000 people this past year.
Conceived as a new meeting place within Melbourne’s cultural and botanic garden precinct, Ando’s design for MPavilion encapsulates his desire to create a memorable structure that responds directly to the park setting. It strives for spatial purity, employing the geometry of circles and squares to create a space in harmony with nature. MPavilion 10 features a large canopy, a 14.4-metre aluminum-clad disc resting on a central concrete column. Two offset squares create two entrances that lead to the centre of the pavilion. Concrete walls of varying lengths partially enclose the space to create a tranquil sanctuary reminiscent of a traditional Japanese walled garden. A long (19,400mm x 225mm) horizontal opening running both the length of the north and south walls frames views of downtown Melbourne and the parklands, connecting the city and lush greenery of Queen Victoria Gardens to MPavilion's interior. The geometric forms and symmetry are reinforced by an internal arrangement that is half paved, and half reflecting pool, which mirrors the pavilion canopy, sky, city, and surrounding nature.
“The design began with a desire to create a sense of eternity within Melbourne’s garden oasis,” shared Tadao Ando. “I wanted to create an experience that will last forever in the hearts of all who visit. I imagine an architecture of emptiness, that lets light and breeze enter and breathe life into it. A place that resonates with the environment, becomes one with the garden, and blossoms with infinite creativity. MPavilion 10 is designed to encourage encounters between people, the natural world, and endless dialogue.”
"Tadao Ando’s architecture is remarkable because it radically affects the way we perceive the world around us,” said Naomi Milgrom, commissioner of MPavilion. “Like Tadao Ando, I am passionate about architecture that promotes public life and encourages social interaction, and thrilled that Australians will be able to experience directly his genius through this incredibly special meeting place for conversation, the exchange of ideas, and contemplation. We look forward to seeing how visitors, designers, artists, and others will respond to this dramatic and serene space, as well as the creativity it will generate.”
About Tadao Ando
Born 1941 in Osaka, Japan. Self-taught in architecture. Established Tadao Ando Architect & Associates in 1969. Major works include the Church of the Light, Pulitzer Arts Foundation, and Chichu Art Museum. Awarded the Architectural Institute of Japan (AIJ) Annual Prize for the Row House in Sumiyoshi in 1979, Japan Art Academy Prize in 1993, Pritzker Architecture Prize in 1995, Person of Cultural Merit (Japan) in 2003, International Union of Architects (UIA) Gold Medal in 2005, The Kennedy Center International Committee on the Arts Gold Medal in the Arts in 2010, Shimpei Goto Award in 2010, Order of Culture (Japan) in 2010, Commander of the Order of Arts and Letters (France) in 2013, Grande Ufficiale dell’Ordine della Stella d’Italia (Italy) in 2015, and Isamu Noguchi Award in 2016. Held solo exhibitions at the Museum of Modern Art (MoMA) in 1991 and Centre Pompidou in 1993. Taught as a visiting professor at Yale University, Columbia University, and Harvard University. Professor at the University of Tokyo from 1997. Professor emeritus of the University of Tokyo since 2003.
About Naomi Milgrom and the Naomi Milgrom Foundation
Naomi Milgrom AC is an Australian business leader, fashion entrepreneur, philanthropist, and arts patron with an international reputation for initiating and supporting cultural innovation. In 2020, Ms. Milgrom was awarded the nation’s highest honour, Companion to the Order of Australia, for eminent service to the community through philanthropic leadership and support for the promotion of the arts.
The Naomi Milgrom Foundation, established by Ms. Milgrom in 2014, is dedicated to bringing exceptional art, architecture, and design to the lives of all Australians. The not-for-profit organisation pivots on a central purpose—to enhance the presence and influence of creative culture in Australia. This is accomplished through the active support of artists, designers, and creative institutions, the fostering of collaborations between bodies and disciplines, the championing of art and design education, and an overarching commitment to making the arts more accessible to more people across the country. Driven by the conviction that art and design have the power to enrich the lives of individuals, nourish communities, boost economies, and improve the potential of cities. The Naomi Milgrom Foundation has become the gold standard for facilitating projects between public and private sectors.
About MPavilion
MPavilion, conceived and created by Naomi Milgrom as an initiative of the Naomi Milgrom Foundation in 2014, is Australia’s most idea-driven commissioning program and an important annual design festival. Over ten years, this ambitious program has commissioned pavilions by leading international architects, each of which has served as a unique public gathering spot in Melbourne’s historic Queen Victoria Gardens. Each MPavilion inspires a diverse range of programming during the free five-month design festival, and related commissions by designers, artists, and other creatives. At the close of each MPavilion, the Naomi Milgrom Foundation gifts the pavilion to the people of Victoria and relocates it to a new, permanent, public home where it continues to be enjoyed by the community as part of a growing collection of public contemporary architecture. In its first ten years, MPavilion has grown to become one of Australia’s most visited and impactful festivals, attracting more than 350,000 people during the 2022-23 season and has helped build Melbourne’s reputation as the Design Capital of Australia.
Since its inception, MPavilion has been shortlisted or won more than 40 national and international design and architecture awards and commendations, including: Winner of Urban Developer Awards for Industry Excellence in the ‘Excellence in Community Engagement’ category (2021); Winner of the Good Design Awards Gold Accolade in the ‘Architectural Design – Urban Design and Public Spaces’ category (2019); Winner of the Australian Institute of Landscape Awards – ‘Landscape Architecture Award’ (2018); Designboom’s ‘World’s Top Temporary Structures for 2016’; and Winner of Detail Magazine’s ‘DETAIL PRIZE 2016’, among many others. Past architects have included: Rachaporn Choochuey, all(zone), Thailand (2022); Francesco Magnani and Traudy Pelzel, MAP Studio, Venice (2021); Glenn Murcutt, Australia (2019); Carme Pinós, Estudio Carme Pinós, Barcelona (2018), Rem Koolhaas and David Gianotten, OMA, Netherlands (2017); Bijoy Jain, Studio Mumbai, India (2016); Amanda Levete, AL_A, United Kingdom (2015); Sean Godsell, Sean Godsell Architects, Australia (2014).
Image credits: Rendering of MPavilion 10 by Tadao Ando, courtesy of Tadao Ando Architect & Associates.
Today marks the unveiling of Designart Tokyo, which will take place on October 21 - October 30, 2022
At DESIGNART TOKYO, one of Japan’s largest design and art festivals, leading creators in various genres (art, design, interior design, fashion, etc.) converge in Tokyo, one of the world’s most culturally diverse cities, to hold exhibitions across the city. The entire district will be turned into a museum, bridging invaluable encounters and inspirations through interaction with creators. With “TOGETHER” as this year’s theme, DESIGNART will continue to promote design and art from Tokyo to the rest of the world as an international event.
Leading creators from all genres (art, design, interior design, fashion, etc.) converge in Tokyo, one of the world's most cosmopolitan cities, to hold exhibitions across the city during DESIGNART TOKYO. Through interaction with creators, the district will be transformed into a museum, connecting valuable encounters and inspirations. DESIGNART will continue to promote design and art from Tokyo to the rest of the world with "TOGETHER" as this year's theme.
NEXT CIRCULATION - Sustainable & Technology
Participating creators : Taiwan Design Research Institute, Landloop × GELCHOP / BCXSY, Orna Tamir Schestowitz, Yuma Kano, Ryuichi Kozeki, OKURAYAMA STUDIO × KAARON STUDIO, Hiroto Yoshizoe, 3710Lab × Sae Honda, Satoshi Itasaka
Manufacturing and sustainability initiatives are being proactively taken worldwide in various fields to achieve the SDGs toward a sustainable society. In addition to developing materials and technologies, building relationships with partners and educating the next generation are likely to be the keys to producing high-demand, popular products. Considering this, DESIGNAT TOKYO 2022 will present the NEXT CIRCULATION, a sustainability- and technology-themed exhibition, featuring initiatives by leading corporate brands and creators, as well as a selection of inspiring exhibits that contemplate “beyond” recycling and upcycling. Satoshi Itasaka, a designer in the fields of architecture, product, and art, who also works on upcycling, will take charge of the spatial design.
COOPERATION:
NOMURA MEDIAS Co.,Ltd. PANECO® (WORKSTUDIO Corporation), Musashi Paint Holdings Co.,Ltd.（Bio Based Paint）, GLORY CO., LTD., remare,inc.
The “Printed Sculpture” art project of LAND LOOP, a brand known for its naturally derived plastics developed by Toyoshima & Co. Ltd., will feature work by GELCHOP and BCXSY. The Taiwan Design Research Institute (TDRI), Taiwan’s design promoter, will present a special edition of “the SP!RAL” for DESIGNART TOKYO. Israeli designer Orna Tamir Schestowitz designed organically shaped ceramic vessels, and superimposed on the manmade object photographic images of the bounty of the Israeli earth. She has transformed the age-old medium of ceramics by an inspired application of modern techniques. Spatial designer Hiroto Yoshizoe will exhibit “Orbit,” a new lighting work first presented in Milan, which features shades made from 100% recycled glass of waste CRTs and fluorescent tubes.
DESIGNART GALLERY at Hz SHIBUYA : New Platform with Asian Design
Participating creators : messagingleaving（UNDER 30）, Karyn Lim（UNDER 30）, SDANLEY DESIGN WORKS, quantum × Stratasys Japan, ADAM from SOZAI CENTER（ KOMORU Ltd. ・M&T）
DESIGNART believes that the time has come for Asia, with its strong economic growth rate and emerging cultural center, to take the lead in terms of creativity as well as technology. To this end, this year we will present DESIGNART GALLERY, a collective exhibition focusing on Asian creators, as a steppingstone to a new platform for building more friendly and progressive relationships with other Asian countries. The exhibition will be held at the newly established Hz, an event space with an eye-catching glass facade in the cultural hub of Shibuya.
The Taipei-based creative practice messagingleaving, led by Chialing Chang (UNDER 30), will present the lighting and mirror collections that uncover diverse expressions of brass and stainless steel. Karyn Lim (UNDER30) will be exhibiting Transformation Bags, a play on geometry to create sculptural forms that can transform into a flat object. In "mitate" project by quantum × Stratasys Japan, images of unique bowls were generated by seeing everything as a bowl with an AI, we then designed 3D data of bowls based on the images and 3D printed. Interior products made by new material “ADAM”, established by KOMORU Ltd. and M&T, a product design studio, utilizing apple pomace from the apple juice and cider.
Designer SDANLEY SHEN, will be exhibited the "The Bender", made in collaboration with the warp of wood, which is the wood's natural state and people can feel more warmth of this work.
「KAISU」 Furniture by featured Creators
Participating creators : Ishinomaki Laboratory（Keiji Ashizawa, Kenji Ito, Wataru Kumano, Koichi Suzuno, Naoki Terada, Nicolaj Friis Nøddesbo, Shigeki Fujishiro）、Shinnosuke Harada/ Junichi Ishigaki/ Ryo Suzuki、NAMAIKI / Mai Suzuki
The exhibition will feature a collection of furniture works with innovative and adventurous designs at KAISU, a former Japanese-style restaurant in Akasaka, which has been renovated as a new space. In the last 11 years, Ishinomaki Laboratory, founded by architect Keiji Ashizawa, has gained recognition and its concept has spread throughout the world. This time, returning to its roots, seven architects and designers held a workshop with craftspeople in Ishinomaki, and designed unique pieces under the theme of Ishinomaki Home Base. The results of the workshop will be presented in the form an exhitibition of furnitures and products under the title “7 designers, 2 days at Ishinomaki Laboratory”.
Three tables, explored by three designers, Shinnosuke Harada/ Junichi Ishigaki/ Ryo Suzuki, are exhibited under the theme of an easily portable "ibasho". Mai Suzuki will exhibit innovative works that create undiscovered(MICHI) possibilities for the traditional craft of "Kumiko". Through a fusion of craftsmanship and technology, she transformed kumiko flats into a hemispherical. The café and bar at the venue will be a lively spot for creators to gather during the exhibition.
Venue : KAISU 6-13-5, Akasaka Minato-ku, Tokyo
ITOCHU SDGs STUDIO: 「Regeneration and circulation」
Participating creators : Konel、Ao. 、Studio POETIC CURIOSITY
ITOCHU SDGs STUDIO will serve as a space which various NGOs, NPOs and other organizations involved with the SDGs can use to communicate information about their activities and as a space where individuals have the opportunity to engage with the SDGs in their own way, allowing various plans to unfurl and take shape.
This time, the artworks of three creators will be exhibited which are born from the concept of “Regeneration and circulation”. Konel will exhibit clogs made from discarded clothing. Even if the teeth wear out, they can be replaced and continue to regenerate semi-permanently. “Ao.” sustainable indigo-dyed furniture project will present “Ao.Re:,” furniture upcycled from discarded wooden furniture and solid wood lumber. With the theme of “regenerating touch and feel,” Studio POETIC CURIOSITY will showcase “Fabric Record,” a phonograph record made from used and discarded textiles to enjoy sounds made from fabric.
Venue：ITOCHU SDGs STUDIO
2-3-1, Itochu Garden B1F, Kita-Aoyama, Minato-ku, Tokyo
Hibiya OKUROJI: Diverse works, from interior goods to cutting-edge art, under the 100-year-old viaduct
Participating creators：Takaya Mic Mitsunaga (UNDER 30) , Nina Nomura (UNDER 30) , Sohma Furutate (UNDER 30), nooca, Maruhei Timber × tossanaigh
Hibiya OKUROJI is located between Hibiya and Ginza, where the impressive brick bridge arches are still in use after more than 100 years. The 300-meter-long space will host a variety of artworks, from interior design to works by cutting-edge artists. In a large space of approx. 130 square meters, the Berlin Wall online project, organized by DESIGNART TOKYO’s UNDER 30 artist Takaya Mic Mitsunaga, will appear under the title BERLIN WALL TOKYO. Another UNDER 30 artist, Nina Nomura, will exhibit Life Through Holes, a work that questions the true richness of the relationship between objects and people by filling the surface of objects with tiny holes. Sohma Furutate (UNDER 30), will exhibit the interior elements "MASS -2022-", seems to have an irregular appearance, but the forms that emerge by capturing all the elements of surface transitions , depth and shading are a more "human" way of seeing things as a sensual perspective.
Other exhibitions include new flower vases and objects from the “form” collection of nooca, a brand launched this year. Maruhei Timber, which recovered from the 2011 earthquake with the help of many supporters, will display its Miyagi Terroir Kitchen created with the design unit tossanaigh to promote resource recycling, a pressing challenge faced by Japan‘s forestry industry. Visitors can also enjoy sales and events during the exhibition.
Perrier-Jouët & Garance Vallée - “Planted Air,” a collaboration artwork, will be exhibited in Japan ahead of the world
Perrier-Jouët, the French prestige Champagne house, releases the world premiere in Japan of a collaborative artwork, “Planted Air,” created for Perrier-Jouët with French artist, architect, and designer Garance Vallée.
This work expresses the dialogue between the two pillars that support the Maison Perrier-Jouët: art and nature. Reinterpreting the ecology of the Perrier-Jouët vineyard, the work's extensive use of curves and arabesques represents Art Nouveau from a contemporary perspective. The materials chosen are unique and artisanal, and the solid, hand-carved limestone blocks evoke the terroir of Champagne. The wrought iron, which was painstakingly forged by craftsmen, is reminiscent of the main gate of the Maison Belle Epoque in Epernay.
Venue：ISETAN SALONE TOKYO MIDTOWN, Galleria
1F Promotion Space 9-7-4, Akasaka, Minato-ku, Tokyo
Period：10/19（Wed.）～11/1（Tue.）2022
SANLORENZO JAPAN meets Kazuto Imura
Pre-launch of SANLORENZO JAPAN, the world’s leading Italian yacht brand by internationally renowned designers including Piero Lissoni
Coinciding with the pre-launch of SANLORENZO JAPAN, artist Kazuto Imura’s solo exhibition “Æ/æ” will be held at MA5 GALLERY, which will serve as a platform for SANLORENZO JAPAN’s Art & Design. For the first exhibition there, Imura has created mirrors that “do not reflect yourself.” Through examining materials and techniques that have been used in mirror production, he relives the history of the human-mirror association. The title “Æ/æ” was inspired by the technique he used with a focus on the mirror construction, where he superimposes the phenomenon caused by the materials’ composite nature during the mirror-making process onto a reflected image. Please enjoy this fantastic space formed by mirrors.
Material and technical cooperation : UNOU JUKU by AGC Inc. Makership Inc.
Venue：MA5GALLERY by SANLORENZO JAPAN
5-10-17, Minami-Aoyama, Minato-ku, Tokyo Curated by DESIGNART
Period：10/21（Fri.）～11/28（Mon.） Closed on Wednesdays
teamLab, Continuous Life and Death at the Now of Eternity at VOLVO STUDIO AOYAMA
Volvo Studio Aoyama will display Continuous Life and Death at the Now of Eternity by the art collective teamLab. This will be exhibited in conjunction with another art exhibition by teamLab and sponsored by Volvo Car Japan, VOLVO teamLab: A Forest Where Gods Live. It is held at Mifuneyama Rakuen in Kyushu, where the vast forest, megaliths, caves, and other natural features of Mt. Mifuneyama, become art in themselves. The exhibition will allow visitors who are unable to travel to Kyushu to see this installation at Volvo Studio Aoyama, where flowers continuously bloom and perish, to experience the continuity of life seen over a long span of time.
Venue： VOLVO STUDIO AOYAMA 3-3-11, Kita-Aoyama, Minato-ku, Tokyo.
Period：7/15（Fri.）～11/6（Sun.）2022
teamLab, Continuous Life and Death at the Now of Eternity © teamLab
A space where fashion and art blend with each other
Prada presents the exhibition “Who the Bær”
Period：10/15（Sat.）2022 ～1/30（Mon.）2023
Venue：Prada Aoyama 5-2-6 Minami Aoyama, Minato-ku, Tokyo 5th floor
Prada presents the exhibition “Who the Bær” by Simon Fujiwara, organized with the support of Fondazione Prada, at Prada Aoyama. “Who the Bær” is a cartoon character created by the artist that takes inspiration from fairy tales, fantasy literature, animation and the exhibition explores a plurality of topics belonging to different realms: from the climate collapse to cultural appropriation, from plastic surgery to Pop-art through the coming-of-age story of ''Who the Bær".
“Visitors" by Chrisitan Hidaka & Takeshi Murata
Christian Hidaka (b. 1977, Chiba, Japan, lives and works in London, UK) and Takeshi Murata (b. 1974, USA, lives and works in Los Angeles) will hold the co-exhibition Visitors at Maison Hermes Forum in Ginza. Through the worlds of these two artists, who continue to create works that interrogate the space between reality and fiction, the exhibition will highlight the fictional structure seen in contemporary art through two narratives.
Period：10/21（Fri.）2022～1/31（Tue.）2023
Venue： GINZA MAISON HERMÈS Le Forum 5-4-1 Ginza, Chuo-ku, Tokyo
Ayame Ono at PERVERZE THE EMBODIMENT STORE
Established in Tokyo in 2016 by an anonymous collective of young creatives, PERVERZE is both a fashion brand and a project, will have a collaborative exhibition with artist Ayame Ono at PERVERZE THE EMBODIMENT STORE, which opened in March 2022. While utilizing thestructure of the store, this exhibition will incorporate PERVERZE's archive of textile patterns and materials created up until now, forming a collage of works where various layers intersect.
Venue：PERVERZE THE EMBODIMENT STORE 5-5-1, Minami-Aoyama, Minato-ku, Tokyo
Experience of Technology x Art
Metaverse Boundary
The metaverse, such as digital twins, is a recent hot topic. What would people do if a metaverse city is shrouded in darkness? What is it like if a mirror exists physically at the boundary of the virtual and real? This is an experimental artwork by ExMetaClub x TV Asahi, which considers the viewer’s (avatar’s) experience and behavior in the metaverse space itself as the artwork. “The gorgeous and light-filled METAVERSE ROPPONGI” will be turned into the “Black METAVERSE ROPPONGI” for a limited time. This interactive artwork is simultaneously exhibited physically and virtually. *The exhibit will tour different locations.
Period：10/28（Fri.）～10/30（Sun.）2022 How to participate: Real Space ／ANB Tokyo 3rd floor 5-2-4, Roppongi, Minato-ku Tokyo
Virtual space ／ METAVERSE ROPPONGI
MedicalArt Turning your Health Condition into Art from Medical Data
Medical Art is produced by five creators with diverse backgrounds (designer, planner, engineer, graduate school lecturer, etc.). The data they collected themselves (e.g., facial expressions, behaviors, and health information) are combined and redefined based on modern medical data to create an artwork of the inner self. “Medical Data x Art” will offer an opportunity to learn about the unknown inner self and to improve wellbeing. At the venue within patisserie UN GRAIN shop, renowned for MIGNARDISES (bite-sized sweets), visitors can purchase sweet treats while enjoying an artistic vibe.
Venue：UN GRAIN | Premiere Building 1F, 6-8-17 Minami-Aoyama, Minato-ku, Tokyo
This special venue happened to be decorated by Japanese creators, as Ambientec sponsored the adorning of the venue with 120 TURN+ lamps, designed by Nao Tamura, while plant artist Satoshi Kawamoto took charge of table-top decorations. Stemming from this, the first collaborative installation with Kawamoto will be exhibited in TOKYO. ( Directed by Nao Tamura, Venue provided by SEMPRE DESIGN)
INTERIOR
New collections and presentations by interior brands
Venue： FLEXFORM TOKYO 6-4-10, Minami-Aoyama Minato-ku, Tokyo
2022 NEW COLLECTION【AMBROEUS】
FLEXFORM 2022 NEW COLLECTION
In a relentless pursuit of the beauty that breathes in our everyday life, the 2022 NEW COLLECTION of FLEXFORM has further evolved through the refinement of its graceful sense of beauty, not being influenced by trends or self-satisfaction. The global flagship store FLEXFORM TOKYO in Minami Aoyama offers not only new products, but also sofas, armchairs, tables, chairs, cabinets, and other comfortable furniture for daily use.
FOCUS / YUJI OKITSU at ROYAL FURNITURE COLLECTION
Venue： ROYAL FURNITURE COLLECTION SHOWROOM 2-12-4 Sakamoto Bldg. 1 F Kita-Aoyama, Minato-ku, Tokyo
The lighting piece FOCUS, designed by Yuji Okitsu and commercialized by the French lighting brand DCW éditions PARIS, will be exhibited in the Tokyo showroom of the Royal Furniture Collection. The original FOCUS was exhibited by Yuji Okitsu for the first time worldwide at Milano Salone Satellite 2018 and domestically at AXIS during DESIGNART TOKYO 2018. It was presented as an interior object hung from the ceiling like a mobile, combining multiple thin and light flat lenses and LED lights. By re-focusing on and re-composing the existing elements such as light, air, and scenery, FOCUS continually creates a new scenery responding to subtle ambient changes in the space. This time, the details of "FOCUS" have been reconsidered and refined to create a new lighting work that is even more sophisticated and conceptual than the original.
ARIAKE with LE KLINT / Bang&Olufsen / BELAIR LAB
Venue： #103 4-1-15 Minami-Aoyama , Minato-ku, Tokyo
Ariake, a furniture brand founded by Legnatec and Hirata Chair, two factories from the furniture producing town of Morodomi in Saga prefecture, will present its new collection for 2022 in collaboration with LE KLINT, Bang & Olufsen and BELAIR LAB.
"DISSECT" Satoshi Kawamoto × Ambientec
Period：10/28（Fri.）～10/30（Sun.）2022
Venue：LIGHT BOX STUDIO AOYAMA 5-16-7, Minami-Aoyama Minato-ku, Tokyo
This year's The Salone del Mobile.Milano’s Gala Dinner, celebrating the 60th anniversary, was held as a private dinner on the rooftop of Santa Maria delle Grazie, the church known for its depiction of Leonardo da Vinci's masterpiece "The Last Supper". This special venue happened to be decorated by Japanese creators, as Ambientec sponsored the adorning of the venue with 120 TURN+ lamps, designed by Nao Tamura, while plant artist Satoshi Kawamoto took charge of table-top decorations. Stemming from this, the first collaborative installation with Kawamoto will be exhibited in TOKYO. (Directed by Nao Tamura, Venue provided by SEMPRE DESIGN)
PATIO PETITE at GINZA innit
Venue： GINZA innit 7-10-1 2F, Ginza, Chuo-ku, Tokyo
A special outdoor furniture exhibition of PATIO PETITE will be held at “upstairs outdoor living,” a lifestyle store on the 2nd floor of “GINZA innit” run by Sugita Ace. On display will be the PATIO PETITE WA Series by TORAFU ARCHITECTS Inc., developed with Sugita Ace, and the PATIO PETITE MA Series by SUPPOSE DESIGN OFFICE. A variety of plants from FUGA will also fill the space
ART
Enjoy art in the city in autumn, from interactive installations to established galleries
FEEL HOTEL TOGETHER at all day place shibuya
Directed by A Green’s Scenting Designer MEGUMI FUKATSU, “FEEL HOTEL TOGETHER,” an installation themed on the merging and connection of the five senses, will be held at all day place shibuya. A diverse group of next-generation designers and artists will come together to create works of art. Besides exhibits at the reception and in guest rooms, there will be exhibition rooms for visitors to stay overnight. Experience of “sensory mariage” with professionals of taste will also be provided at coffee stand, beer bar and dining in the hotel.
Venue：all day place shibuya 1-17-1, Shibuya, Shibuya-ku Tokyo
Rooms for exhibiting artworks (Open to the public): 1 room （12:00～19:00）
Rooms for exhibiting artworks (overnight stay possible, reservation required). ：3rooms
Other exhibitions: hotel reception on 2F, café on 1F, restaurant on 2F. Accommodation reservations and other enquiries：https://www.uds-hotels.com/all-day-place/
Julian Opie at MAHO KUBOTA GALLERY
MAHO KUBOTA GALLERY, located in Jingumae, an area of cultural crossover where Harajuku and Aoyama in Central Tokyo, will hold a solo exhibition of new paintings and new animations featuring “Dance", by Julian Opie, one of the UK’s leading contemporary artists today. Opie uses pictograms and simple drawings and coloring reminiscent of anime to simplify the main artistic motifs of ancient times, such as landscapes and the human figure. This style of expression that employs minimal detail is continuing to garner support in both the art world and the broader cultural scene. Julian Opie will be visiting Japan for this exhibition.
Venue：2-4-7 Jingumae Shibuya-ku Tokyo Japan Period：10/21（Fri.）～11/26（Sat.）2022
Julian Opie. Dance 1 figure 1 step 2. 2022.
Vinyl on aluminium stretcher. 210 x 100 cm
The Future Eternal
A Lighthouse called Kanata, a contemporary art gallery that introduces Japanese artists to the world, is bringing together works by up-and-coming artists in The Future Eternal exhibition. Rather than following the transient trends of contemporary art, the highlight of the exhibition is the universal yet progressive abstract works that connect the past and the future. The exhibition will feature ambitious three-dimensional and two-dimensional works that combine materials and outstanding techniques to embellish contemporary spaces.
Venue：A LIGHTHOUSE CALLED KANATA Kasumicho Terrace 6F, 3-24-20, Nishi-Azabu, Minato-ku Tokyo Period：10/21（Fri.）～10/29（Sat.）2022
emergence by Osamu Yokoyama (2022)
OMOTESANDO REPLICA
松田優と谷雄一郎によるデザインスタジオ「UO」が、2022年8月10日AM10：48に、表参道ヒルズ前の歩道の植込み(35°39‘59.6“N 139°42’35.6”E)で拾った枝を、2000本に複製し連結したアート作品。無限の空間のほんの一点と、刻々と変化し続ける時間の一点との唯一性を極大化しているこのオブジェクトが、表参道ヒルズの本館 吹抜け大階段に出現する。
会場：表参道ヒルズ 東京都渋谷区神宮前4-12-10 本館 吹抜け大階段
Tokyo Midtown will exhibit works of two creator groups featuring
“Design for Sustainable Future”
Venue: TOKYO MIDTOWN, Galleria 2F
in front of Aēsop store
9-7-1, Akasaka, Minato-ku, Tokyo
The series sea is an effort by ambi to realize the charm of STUDIO RELIGHT's activities through design, using recycled glass from waste fluorescent lamps that have been properly processed by STUDIO RELIGHT's parent company, Sawaya Co. The glass is molded from a lump of glass to maximize the uniqueness of color and bubbles of recycled glass. For some of the works, sand molds were used as casting molds, for texture, and to easily recycle after use. Each work represents different scenes of the “sea.”
“FLOW”- Fluid material cycle - by DAISUKE YAMAMOTO
Venue: TOKYO MIDTOWN, Galleria 2F in front of lucien pellat-finet, 9-7-1, Akasaka, Minato-ku, Tokyo
This project began with the awareness that everyday recyclable construction materials are disposed then new construction begins, so-called “scrap and build”. In this situation, he shed light on the most used and at the same time disposed material, LGS( Lightweight Gauge Steel ).This product series “FLOW” came to life from this process, challenging in realizing fluid material cycle that prevents any kind of industrial waste disposal.
DESIGNART TOKYO 2022 OFFICIAL PARTNERS
Perrier-Jouët is the Official Champagne of DESIGNART TOKYO 2022
Pernod Ricard Japan K.K.’s prestige Champagne house, Perrier-Jouët, will be sponsoring DESIGNART TOKYO 2022 again as the official champagne. Planted Air, a commissioned artwork by Garance Vallée, a French artist who has attracted attention for her mysterious worldview, will be exhibited at ISETAN SALONE (Tokyo Midtown, 1st floor) during the event. The world premiere of the artwork will be accompanied by a limited-edition collaboration product, Perrier-Jouët Blanc de Blancs by Garance Vallée, which will be on sale at the venue. Union Square Tokyo (Tokyo Midtown B1F) will also host a by-the-glass fair for Perrier-Jouët Blanc de Blancs.
BLUE BOTTLE COFFEE 5 stores become Official Cafes of DESIGNART TOKYO 2022
The five BLUE BOTTLE COFFEE cafes in Aoyama, Roppongi, Ginza, Hiroo, and Shibuya, become official cafes where you can stop by during your stroll of exhibitions, of DESIGNART TOKYO 2022. If you show the official DESIGNART Instagram account at the cashier during the exhibition, you will receive a piece of "Blue Bottle Yokan," (Japanese traditional sweets by bean paste shop in Horikawa Sanjo, Kyoto for over 60 years) that goes well with coffee, for every drink ordered. You can take it home or enjoy it at the cafe while enjoying design and art exhibitions.
"Taroma," an aroma brand from Toyama Prefecture, and designer Ryuya Yamada will present a glass aroma diffuser at AOYAMA cafe. The exhibition Wind Whisperer: Confiding the Wind by Studio POETIC CURIOSITY will be held at Shibuya Cafe and Kitaya Park. Viewers can experience that the words of their thoughts and feelings whispered into this interactive work, will be transformed into bubbles and blown away. Roppongi Cafe will exhibit DIG-DUG, a new work by Atsushi Shindo, who is engaged in the design of commercial facilities as an interior designer while also presenting interior objects and artworks from his personal projects.
Studio POETIC CURIOSITY photo by Mina Asaba
※Please note that all other cafes are not eligible for this offer.
For more information about Designart Tokyo, please visit: https://designart.jp/
Tiffany & Co. Announces Tiffany Atrium: A Social Impact Platform to Inspire Connection and Social Change
Tiffany & Co. has launched Tiffany Atrium, a social impact platform that offers opportunities to historically underrepresented communities. Through commitment, leadership, and learning, Atrium aims to create a more diverse and inclusive jewelry industry, which is reflected in its three core pillars: creativity, education, and community.
Tiffany & Co. has launched Tiffany Atrium, a social impact platform that offers opportunities to historically underrepresented communities. Through commitment, leadership, and learning, Atrium aims to create a more diverse and inclusive jewelry industry, which is reflected in its three core pillars: creativity, education, and community. ATRIUM is a nod to both the heart and the center room of a house as well as the Return to Tiffany® heart tag necklace.
“I Shine, You Shine, We Shine” by Derrick Adams
““We are thrilled to introduce the Tiffany Atrium platform, creating a centralized hub for our continued journey in the worlds of diversity, equity and inclusion,” we have a responsibility to enact positive change in our world. Tiffany Atrium will allow us to streamline and scale the necessary processes in doing so.””
The Tiffany Atrium logo was derived from an original artwork designed by American visual artist Derrick Adams for the launch of Tiffany Atrium. Online art marketplace Artsy will auction the artwork July 27 - August 10, with 100% of proceeds benefiting The Last Resort Artist Retreat, an artist residency founded by Adams in his hometown of Baltimore, Maryland, to provide healing and restoration for Black artists and cultural workers.
Tiffany & Co. will launch new programming under the education pillar in the fall to support the long-term development of students and institutions. The following programs are scheduled for the near future:
•Tiffany & Co. Apprenticeship Programs: Eight apprentices will be identified through LVMH’s Métiers d’Excellence Institute (ME Institute) & New York State Craft Apprentice Program for a two-year rotational program at the House’s core facilities. Recruitment will focus on diverse, historically underrepresented communities to create opportunity and build an inclusive pipeline of talent.
•Tiffany & Co. and HBCUs: Educational and professional opportunities will be created for students in the creative arts and communications fields at select Historically Black Colleges and Universities (HBCUs), including:
$2M pledge for the About Love Scholarship Program in partnership with the Shawn Carter Foundation and BeyGOOD.
Partnership with Harlem’s Fashion Row in support of the HFR ICON 360 HBCU Summit at North Carolina A&T University, which strives to transform art and fashion programs at HBCUs across North America.
In addition, as a part of Atrium's community pillar, Tiffany & Co. will focus on connecting employees, students and nonprofit leaders to grow and celebrate shared values and commitment to improving the world we live in. Tiffany Atrium will continue to partner with non-profit organizations, including Free Arts, Ali Forney Center and Lower East Side Girls Club, throughout the year.
Tiffany Atrium will continue building upon significant partnerships and investments with global creatives and institutions that will advance opportunities for underrepresented communities. In recognition of its responsibility to the future, Tiffany is committed to building a more equitable and inclusive industry.
To stay up to date on Tiffany Atrium, visit www.Tiffany.com/sustainability.
Art Week of Tokyo - Citywide initiative showcases Tokyo’s leading art spaces
Art Week Tokyo is inaugurating an expanded edition this November in collaboration with Art Basel. Organized by Japan Contemporary Art Platform with the Tokyo Metropolitan Government and Art Week Tokyo Mobile Project Organizing Committee, with support from Japan’s Agency for Cultural Affairs, Art Week Tokyo is scheduled for November 3–6, 2022, with VIP events starting on November 1.
After holding a successful soft-launch edition that welcomed more than 20,000 visitors across 50 participating spaces in 2021, Art Week Tokyo is inaugurating an expanded edition this November in collaboration with Art Basel. Organized by Japan Contemporary Art Platform with the Tokyo Metropolitan Government and Art Week Tokyo Mobile Project Organizing Committee, with support from Japan’s Agency for Cultural Affairs, Art Week Tokyo is scheduled for November 3–6, 2022, with VIP events starting on November 1.
This year’s edition of Art Week Tokyo will feature an expanded line-up of participants and events, offering four days of coordinated programming across 52 of Tokyo’s leading museums, galleries, and alternative spaces. In addition, Art Week Tokyo will feature a wider range of VIP events and programs as well as a new, free mobile app with custom maps and real-time updates. All participating venues will once again be connected via a complimentary bus service. As Tokyo’s most ambitious citywide initiative for contemporary art to date, Art Week Tokyo will make one of the world’s most exciting and dynamic art scenes more accessible than ever before.
Atsuko Ninagawa, Cofounder and Director of Art Week Tokyo and Owner and Director of Take Ninagawa, said:
“Art Week Tokyo is a celebration of the diversity, resilience, and conviviality of Tokyo’s art scene. The enthusiastic response from participating venues and the tremendous support we have received from the Tokyo Metropolitan Government and Agency for Cultural Affairs reflects a commitment across all levels of the art community to come together to grow our art ecosystem and enhance its accessibility to broad audiences for contemporary art. The organizational expertise of the Art Basel team has been invaluable in helping us produce an event that will make Tokyo one of the leading destinations for contemporary art in Asia and beyond.”
Photo by Katsuhiro Saiki
About Atsuko Ninagawa
Atsuko Ninagawa is the owner and director of the gallery Take Ninagawa, Tokyo, and the co-founder and director of Art Week Tokyo. Established in 2008, Take Ninagawa is dedicated to promoting emerging and historically significant Japanese artists in a cross-generational, international framework, and to organizing projects with international artists that respond to the Japanese context. Atsuko Ninagawa is on the selection committee of Art Basel Hong Kong and is one of the collaborators behind South South, a new platform for art from the Global South that launched in February 2021.
Adeline Ooi, Director Asia of Art Basel, said:
“We are delighted to renew our collaboration with Art Week Tokyo for this citywide celebration of Tokyo’s thriving arts and cultural scene. Extending our support of this initiative is a natural next step aligned with our deep appreciation for Tokyo’s art and gallery community, and our long-term commitment to strengthening the flourishing art ecosystems across Asia."
A website with full details about participating venues and programs will launch in September 2022.
For the latest updates, follow Art Week Tokyo on Facebook, Instagram, and Twitter.