Japanese Artist Ryotaro Muramatsu / NAKED launches a Global Scale Artwork Connecting the World's Prayers for Peace
Ryotaro Muramatsu / NAKED: the artist and founder of the Tokyo based creative company NAKED, INC., has launched a new art initiative Breath/Bless Project. The Project aims to install his digitally augmented artwork Dandelion in multiple locations around the globe to create an interactive artwork that connects people’s prayers for world peace. Although Muramatsu is known for his many works incorporating interaction and communication in projection mapping spectacles and immersive art exhibitions as creative director of NAKED, INC., this is the first time for him to present an artwork that connects internationally in real time.
Ryotaro Muramatsu / NAKED: the artist and founder of the Tokyo based creative company NAKED, INC., has launched a new art initiative Breath/Bless Project. The Project aims to install his digitally augmented artwork Dandelion in multiple locations around the globe to create an interactive artwork that connects people’s prayers for world peace. Although Muramatsu is known for his many works incorporating interaction and communication in projection mapping spectacles and immersive art exhibitions as creative director of NAKED, INC., this is the first time for him to present an artwork that connects internationally in real time.
Our world has changed in so many ways since the beginning of 2020, and difficult times continue. People all over the globe, from every background, wish fervently for a better world. It is my hope that our shared adversity will not divide us but will, instead, bring us closer together.
This artwork is alive.
As more Dandelion installations are set up around the world and more people participate, their many prayers will connect within this large and ever-expanding artwork.
Ryotaro Muramatsu / NAKED
Ryotaro Muramatsu / NAKED
A Public Art that Connects Cities and Creates a Network of Unity
Breath/Bless Project aims to install Ryotaro Muramatsu’s Dandelion in locations around the world. Dandelion is an interactive artwork that evokes the feeling one gets from making a wish on a dandelion. When the viewer blows a breath on the Dandelion installation, the fluff floats away, eventually landing on the ground and producing a new flower. Breath / Bless Project will not only install Dandelion artworks in real locations but will also have a platform online. This way, Dandelion can be accessed by anyone from anywhere in the world. People’s prayers for peace will connect both physically through the installations, as well as virtually on the online platform. For example, when someone in Paris blows their breath on an online Dandelion, the fluff will float to Tokyo and produce a new, beautiful flower at a real Dandelion installation in Tokyo. As more installations are set up around the world and more people participate, their many prayers will connect within this large and ever-expanding artwork. Real locations and the virtual world synchronize, as the network itself, which connects the many prayers, becomes the artwork.
The Journey begins in Tokyo and Singapore
In early November 2020, Breath / Bless Project will reveal its first series of Dandelion installations at multiple locations in and outside of Japan. Planned locations are Tokyo Tower, Shibuya Station area, Moomin Valley Park in Saitama, and Singapore’s Gardens by the Bay. In accordance with protocols to prevent the spread of COVID-19, this particular series of installations will replace the interactive “blowing” element with a sensor that responds to physical gestures. The project will be offering special content such as virtual tours through Gardens by the Bay, for participants who support the project through its fundraising campaign.
Breath / Bless Project Fundraising Campaign: https://camp-fire.jp/en/projects/view/314807
The Inspiration Behind Breath / Bless Project
After the Paris Attacks in 2015, Ryotaro Muramatsu developed the concept of Breath / Bless Project, which calls for the placement of Dandelion installations at monuments of peace around the world. He believed that even sites which remind us of a tragic history could be connected with the world’s prayers for peace and bring out smiles and hope for the future.
This year, as the world becomes ever more divided in many different ways, is the perfect time to deliver the fundamental message of peace. “I believe that this artwork can bring out the kindness in people, as it reminds us of the pure, simple childhood feeling we all remember and can relate to beyond the constraints of race, nationality, or belief”, says Muramatsu.
“In past years, I have created works that integrate virtual and real, digital and analog; what I wish to offer the world today is an artwork that transcends barriers to unite people’s hearts. Flowers need no words. They are completely impartial. Their seeds fly to new places and bloom there. Through this art, I hope to spread this spirit, to plant flowers of peace throughout the world.”
How to be a Part of Breath Bless / Project
Find out more about how to enjoy this artwork from your own city and how you can support this global scale art project through Ryotaro Muramatsu / NAKED and NAKED, INC.’s official platforms.
-Official project website: https://breathbless.com/
-Instagram: http://www.instagram.com/breathbless.project/
-Facebook: https://www.facebook.com/breathbless.project
-Fundraising platform: https://camp-fire.jp/en/projects/view/314807
-NAKED, INC. official website: https://naked.co.jp
Helsinki Design Week celebrates design in September 2020
One of the largest design festivals in the Nordic countries with children and families, The 16th annual Helsinki Design Week is held from now until 13 September 2020. The festival events will again spread throughout the city: from museums to markets, from seminar halls to secret shops, from studios to showrooms and from offline to online events and encounters.
One of the largest design festival in the Nordic countries with children and families
The 16th annual Helsinki Design Week is held from now until 13 September 2020. The festival events will again spread throughout the city: from museums to markets, from seminar halls to secret shops, from studios to showrooms and from offline to online events and encounters.
Helsinki Design Week is a series of responsibly organized events of varying sizes. It is not a festival at one single venue holding thousands of visitors. With regards to possible restrictions on venues or visitors due to the international health crisis, the festival has the means and opportunity to multiply into smaller events or use new digital methods of exhibiting content.
Helsinki Design Week’s statement for 2020 is Commitment Matters – a theme that raises questions regarding the meaning and value of designing. The phrase is a stimulus for thought, and the theme is meant to be used as a tool for everyone taking part in the festival: the event organizers, the exhibitors, the seminar speakers and the visitors. The leading partner of the festival, the City of Helsinki, is supporting the safe and responsible organization of the festival.
The festival visuals celebrate the legendary Helsinki Olympic Stadium, combining its functionalistic architecture with vivid and energetic colours from the athletic world. Historic photos from the 1940s will highlight the design and history of the restored monument.
The main venue: the Olympic Stadium
The main venue of Helsinki Design Week will be the Olympic Stadium. With its large and airy spaces, it is a perfect spot for safe encounters. The stadium is open on 11–13 September for guided tours and for Children’s Design Weekend.
The Stadium is also home to the main exhibition, a series of installations on design, architecture and fashion, presenting interesting design from unique pieces to large scale setups. A review of top young designers is not to be missed. The Olympic Stadium will also host an event that may well become the biggest PechaKucha Night ever held. The evening of September 12 is reserved for 10 presentations, each less than 7 minutes long. The idea of PechaKucha, Japanese for “chit chat”, is simple: 20 slides and 20 seconds of commentary on a theme chosen by the presenter.
Helsinki Design Week’s programme for children develops an understanding of architecture and design.
Helsinki Design Week continues the festival tradition of a dedicated programme for children and families for the seventh consecutive year. A sports-themed Children’s Design Weekend 12–13 September takes place at the renovated and modernized Helsinki Olympic Stadium. Children’s Design Week at Annantalo 7–13 September focuses on design workshops. Schools familiarize learners with design through PechaKucha presentations with a toolkit produced by Helsinki Design Week.
“Our programme for children offers such activities for the whole family that makes architecture and design familiar to citizens from childhood onwards. Thus we guide them to observe their built environment with a critical eye,” says Helsinki Design Week Programme Director Anni Korkman.
Helsinki Design Week (HDW) produces the children’s programme, as well as all other programme content, in partnership with external event organizers. All children’s events are free of charge.
Children are guests of honour at Olympic Stadium.
A part of Helsinki Design Week’s in-house production, HDW Children’s Design Weekend is held at the Helsinki Olympic Stadium on 12–13 September. The weekend features a route designed for children and built on the famous green of the Olympic Stadium. The route’s five playful sports sites combine sports and art, making design visible at the same time. Parents can join their children’s sports performances with instructions stored in QR codes. At the end of the route, children make their trophies and pose with them on the podium. The trophy materials are available on the Helsinki Design Week website so that the programme can be duplicated at home.
As a part of Helsinki Design Week’s COVID-19 safety guidelines, registration is required to attend this free event.
Workshops at Annantalo
Annantalo, the City of Helsinki arts centre for children, young people and families, celebrates Children’s Design Week 7–13 September with nature- and future-themed programme.
Workshops on the themes are held at Annantalo for groups from schools and daycare centres. For example, 5th graders can create art with soil materials at the Annantalo yard in a workshop that combines mythology, architecture, art and biosciences.
A forest installation has been erected at the Annantalo yard: trunks of trees from thinning forest operations have been used to create a playful space resembling a forest. Three exhibitions on display inside the arts centre focus on ecology, the environment and the bond between a mother and her baby.
Most of the workshops are held outdoors. Safety is ensured indoors with sufficient distances maintained between occupants. Some of the workshops require registration.
Children’s Design Week at Annantalo
PechaKucha at schools
Learners at Helsinki comprehensive schools follow a Culture Path from one grade to the next. The path includes suggestions for cultural contents for each grade, and every learner should make at least one cultural visit in a year.
“Culture Path ensures that every learner has an opportunity to be familiarized with various cultural contents and cultural operators during their basic education,” says Pedagogical Specialist Panu Hatanpää of the City of Helsinki Education Division.
“Familiarizing learners with culture through Culture Path visits is part of new creative learning at Helsinki schools, and it is closely linked to familiarizing learners with design and design thinking,” Hatanpää emphasizes and points out that design is included in Culture Path contents.
There are no visits by school groups to Helsinki Design Week events this year. Visits are replaced by a toolkit produced by Helsinki Design Week for organizing PechaKucha presentations, one of the Design Week’s essential programme items. PechaKucha is a form of storytelling, in which the presenter talks about a topic with 20 images, 20 seconds about each.
“PechaKucha is a good method for learners to practice making a presentation in front of an audience and to talk about topics of importance to them. For the audience, PechaKucha is a good method to practice listening,” Hatanpää says.
Helsinki Design Week’s PechaKucha toolkit is freely available to all. (Please note that the toolkit content is in Finnish only).
Design education in Helsinki
Design education is also in focus at Design Museum: A&DO Learning Centre for Architecture and Design organizes DesignLab: Mini Jam at the museum and online on 11 September. Talks by specialists and design-themed jamming shed light on future architecture and design learning and on the tone that public participation brings to urban design. The City of Helsinki supports the event.
“Helsinki has been a pioneer in architecture and design education for many years,” says Chief Design Officer Hanna Harris of the City of Helsinki. “We have several teachers and schools in Helsinki dedicated to the theme.”
For example, the Arabia Comprehensive School teaches design as part of creative problem solving that crosses subject boundaries, and the methods of design education are used in all subjects on grades 1–9. The Kruununhaka Comprehensive School for grades 7–9 offers a design track for local students.
“The City of Helsinki has joined forces with design organizations and projects to develop contents for architecture and design education for use by teachers, and we have participated in varied design collaborations. Our next step is to develop long-ranging activities within the City organization,” Harris asserts.“ I consider the following to be of very high importance: architecture and design education provides children and young people with means for creative problem solving and for the development of their identity. They learn to comprehend their neighbourhoods, to understand planning and various materials, and they obtain tools to participate in building our joint future.”
For more information, please visit: https://www.helsinkidesignweek.com/festival/
1% for Art EXHIBITION curated by Design Pier (I)
Design Pier proudly partners with Designart Tokyo to curate and organize the Design Week’s main event joining the 1% for Art program and presenting a driver array of highly creative design objects by design studios from the Asia continent.
Design Pier proudly partners with Designart Tokyo to curate and organize the Design Week’s main event joining the 1% for Art program and presenting a diverse array of highly creative design objects by design studios from the Asia continent.
The exhibition proposes a dialogue that reflects on the changes in international design, provoked by an alternative design thinking originating in Asia. While design in Asia used to be conservative and risk-averse, the new generation has a hunger for reinventing, rediscovering, and imposing its own unique design thinking.
New Asia designers proudly embrace their traditions and boldly transform it into objects. Their works show strong marks in their respective cultures. At the same time, Western designers go beyond simple imitation, and they genuinely integrate the philosophy and the attitude of different design trends in Asia or influence a new design thinking while collaborating with Asian designers.
About the 1% for Art Exhibition, 19 artists and studios from different countries across asia will showcasing their art and design pieces, they are A SPACE, ALVIN T, APICAL REFORM, APIWAT CHITAPANYA, BINGQI LEE, COALESCE, GABRIEL TAN, H220430, HANS TAN, JARROD LIM, JATRA, KARINA SUKAR, NISSA KINZHALINA, RYAN L. FOOTE, SHIGEKI YAMAMOTO, STUDIO JUJU, TEERAPOJ TEEROPAS, TIFFANY LOY and VU HOANG ANH.
About 19 artists of their art and design
About A SPACE
ASPACE is a design & art studio based in Brooklyn NY, co-founded by Anna Aristova and Roza Gazarian in 2016. Our collaborative pieces are an attempt to bring in the timeless beauty of nature to contemporary lifestyle, whether it’s functional furniture or a decorative object. The essence of each of our creations is a sense of a vast open space, where ideas, thoughts or feelings spontaneously arise, evolve through experimentation and ultimately manifest as a functional art piece. Each object is a one-of-a-kind creation that beckons to look beyond mere form and material, and to connect to the primordial nature of the elements. Our work is a constant balance of opposites -- improvisation and thoughtful planning, intuition and knowledge, organic and geometric, timelessness and impermanence
About Collection: KOGE.
ASPACE series is inspired by Butoh dance. In KOGE series I am exploring the Butoh dancer from inside, and how the physical body, organs and blood veins, are built. Rather than particular shapes of organs, Anna Aristova and Roza Gazarian interested in the whole body system and how it’s functioning, and the connection between inner functioning and what people see in the dance performance.
The pieces are made with saturated pigmented clay mixed with stoneware. They are then partially painted with engobe and shino glazes, and then obtain natural flying ash glaze during the firing.
The sculptures were fired in a wood-firing anagama style smokeless kiln with inverted flame bouri box, called Sasukenei, which was built by master Masakazu Kusakabe in 2015.
About Collection: KOGE.
My series is inspired by Butoh dance.
In KOGE series I am exploring the Butoh dancer from inside, and how the physical body, organs and blood veins, are built. Rather than particular shapes of organs, I am interested in the whole body system and how it’s functioning, and the connection between inner functioning and what people see in the dance performance.
The pieces are made with saturated pigmented clay mixed with stoneware. They are then partially painted with engobe and shino glazes, and then obtain natural flying ash glaze during the firing.
The sculptures were fired in a wood-firing anagama style smokeless kiln with inverted flame bouri box, called Sasukenei, which was built by master Masakazu Kusakabe in 2015.
About Alvin T
AlvinT Studio is a multidisciplinary design firm led by founder Alvin Tjitrowirjo. With expertise in Product Design, Interior Design, and Art direction. Their design brand is dedicated to reviving the Indonesian design industry and communicate Indonesia’s distinctive design character and high-quality materials and craftsmanship to both locally the rest of the world. With Indonesia enriched with a unique culture in history and art, alvinT is inspired by the traditional techniques and how inimitable innovation can be formed in the modern approach.
Angan derives - Angan derives from the Indonesian word that means wishful, the design illustrates a state of mind where thereís a tension between the hope of progress and the fear of changing. A condition that is encaged many individuals in Indonesia at the moment. This sentiment is portrayed as a shelf, forming a cage like silhouette made out of natural rattan poles with brass shelves. The cage poles made out of natural were designed to be un-even creating different size of opening. There are three levels of brass shelves in matte finish to place small objects or accessories.
Lumping - Lumping is derived from ìkuda lumpingî (ìlumpingî horse, flat horse), a traditional dance originated from Java commonly made of rattan. It is believed that the dance illustrated historical war against the Dutch colonial forces. These historical references were transformed into a modern playful outdoor furniture drawing a light and dynamic silhouette. The graphical woven texture of the body injects a dose of local flair, providing a nice contrast to its solid black or white aluminum frame.
Lumping is suitable for both indoors and outdoors. Also available in natural rattan.
Mingle - Mingle is a bench for three people. The idea behind it is that in Indonesia we need furniture that communicates what a modern contemporary Indonesia design is. This is expressed by using a local identity wrapped in an international visual language and it has a meaning to provoke dialog between its users in order to start a conversation.
Apical Reform
Founded in 2011, Apical Reform is a collaborative design studio dedicated to creating immersive experiences led by art and innovation. Led by Owner and Creative Director Amrish Patel and Design Director Darshan Soni. Our latest installations can be found in the Dubai Design District such as the My Dubai City sign, Melt, and Sonuslexica, The year of Zayed artwork and The year of tolerance artwork. We are also privileged to be working with the Ithra Museum, Saudi Arabia. We have also Ventured into Kinectic artwork with ‘Stingray’ and ‘Tornado’ in collaboration with the MB&F MAD gallery.
Piranha - Retaining the external anatomical contours of the carnivore, its actuality is imagined as a bio-mechanical machine, transposed by a metaphorical system of gears, levers and linkages fabricated in thin sheets of mild steel. The intricate details, prominent in the layers of juxtaposed geometries, add multiple dimensions to the artwork as it reveals the hidden.
MASAYA
MASAYA is a brass furniture brand with the fundamentals of producing artistic and unique products. All our products are inspired by nature where each one of it has its own story. We pay attention to details, striving to deliver the best and most different products in the market.
MASAYA’s products designs stem from our everyday fundamental shapes and enhancing those simple shapes into a product that fits in every home. Like our mother brand, Asia Collection, our products are majestic, with the combination of brass, stainlesssteel, marble, and one of a kind wood. We serve modernized furnitures that fit into anyone and everyone’s lifestyles.
Designart Tokyo 2019
Date: October 18th (Friday) - 27th (Mon)
Area: Omotesando- Gaienmae Harajuku/ Meiji-jngumae Shibuya - Ebisu Daikanyama-Nakameguro Roppongi-HIROO Shinjuku Ginza
For more information, please visit Designart Tokyo website: http://designart.jp/designarttokyo2019/
About the supporting organization
DesignSingapore Council’s (Dsg)
DesignSingapore Council’s (Dsg) vision is for Singapore to be an innovation-driven economy and a loveable city through design by 2025. As the national agency that promotes design, our mission is to develop the design sector, help Singapore use design for innovation and growth, and make life better in this UNESCO Creative City of Design. Dsg is a division of the Ministry of Communications and Information.
JAPAN’S FIRST CONCEPT STORE IN HARAJUKU - TIFFANY @ CAT STREET
JAPAN’S FIRST CONCEPT STORE IN HARAJUKU, ―TIFFANY @ CAT STREET
Breakfast at Tiffany’s anyone…?
Tiffany & Co. opened its first concept store in Japan ― Tiffany @ Cat Street – in Harajuku on Friday, April 19. More so than any of the existing Tiffany & Co. stores in Japan, the experiential design for Tiffany @ Cat Street showcases the wit, creativity and timelessness of the brand. From jewelry to Home & Accessories, the store offers a thematically curated selection and presentation of iconic designs.
Tiffany @ Cat Street will be a Tiffany & Co. experience unlike any other. Unique for its elevated informality and playfulness, this dynamic space reflects an unusual and exciting expression of our brand,” said Richard Moore, divisional vice president—Global Store Design & Creative Visual Merchandising, Tiffany & Co
The futuristic architecture of the building coupled with the Tiffany @ Cat Street logo on an iconic Tiffany Blue® background makes the store truly stand out. Each of the store’s six levels presents a different selection of items and services. The caselines are complemented by a wall inspired by the famous Tiffany Blue Box® with floor-to-ceiling shelves to display pieces from jewelry and Home & Accessories collections, creating a captivating atmosphere.
“By opening this new concept store in an area where creative people gather for fashion, art and culture, we will showcase the brand in an environment that encourages customers to discover and rediscover the magical world of Tiffany,”
said Daniel Perel, president of Tiffany & Co. Japan.
The top floor will host the first Tiffany cafe in Japan, aptly named ―The Tiffany Cafe @ Cat Street. The café serves a range of foods and drinks from croissants and coffee to other New York City temptations such as hot dogs and cheese pretzels, and sweet treats such as Tiffany @ Cat Street donuts and cookies.
The first highlighted collection for the opening will be Tiffany T, the latest icon of Tiffany that embodies the energy and creativity of New York City. Also featured will be a curated assortment of items displayed in a unique way, from other iconic collections such as Tiffany HardWear and Tiffany Paper Flowers™ to the brand new Tiffany T True pieces. In addition, to celebrate the opening, limited edition charms in sterling silver, as well as in 18K rose gold engraved with the Tiffany @ Cat Street store logo are offered exclusively, while new Tiffany T Smile mini color pendant and bracelet sets in pink sapphire, yellow sapphire, and blue topaz made its worldwide debut at this special location.
Tiffany @ Cat Street was opened on Friday, April 19, 2019. The store layout is intentionally flexible so that it can be adapted and changed throughout its lifespan, creating a blank canvas for a rotation of Tiffany collections.
For more information of Tiffany @ Cat Street:
Tiffany @ Cat Street
Address: 6-14-5 Jingumae, Shibuya-ku, Tokyo
Floor area: 469.77 m2
URL: https://www.tiffany.com/jewelry-stores/cat-street
Tel: 0120-488-712
Opening hours: 11:00-19:00 (Cafe: 11:30-18:30 Last Order 18:00)
Odunpazari Modern Museum (OMM)
A major new museum designed by world-renowned architects Kengo Kuma and Associates, will open in Eskişehir, north west Turkey, in June 2019. The museum will provide a new home for a significant collection of modern and contemporary art which has been brought together by Erol Tabanca, an art collector, architect and businessman. OMM Founded by Erol Tabanca, an art collector and will welcome international audiences to discover its significant collection of modern and contemporary art spanning the 1950s to the present day.
With its distinctive stacked timber design by Kengo Kuma and Associates (KKAA), the 4,500m2 building draws inspiration from Odunpazari’s traditional Ottoman wooden cantilevered houses that are synonymous with the district, and pays homage to the town’s history as a thriving wood market.
Along with several other city museums in the surrounding area, OMM will create a museum square and public meeting place in the town. Split over three floors, visitors will journey through a variety of exhibition spaces, with the large spaces at ground level echoing the rhythm and scale of the surrounding townscape, and the smaller rooms on the upper levels providing a home for smaller-scale artworks. At the centre, a skylit atrium will allow natural light to permeate throughout the building.
Yuki Ikeguchi, Partner leading the project, and Kengo Kuma, Founder of Kengo Kuma and Associates, said: “At the heart of this project was a desire to create a link between people and art. We wanted the building to carry the history and memory of the town, to resonate both on a human scale and with the unique streetscape of Odunpazari, which passing through is a special experience in itself. We very much look forward to seeing the public enjoy and interact with the building.”
“We are delighted to announce that the museum will open in June and look forward to opening our doors”, said Erol Tabanca, founder of OMM. “It is my privilege to give this museum and open up the collection to visitors all over the world to enjoy. OMM will stand as a new landmark that reconnects the town with its history, and as a progressive cultural development for Eskişehir and the Central Anatolian region at large.”
Curated by Turkish curator, Haldun Dostoğlu, the museum’s inaugural exhibition will showcase a selection of around 200 works by 60 leading artists from Turkey including Bedri Rahmi Eyüboğlu, Canan Tolon, Erol Akyavaş, İlhan Koman, Ramazan Bayrakoğlu, Sinan Demirtaş and Tayfun Erdoğmuş. The exhibition will continue up to the present day with a new site-specific commission by Japanese bamboo artist, Tanabe Chikuunsai IV. His intricate installation, crafted from woven bamboo, will interact with and complement the architecture of the building.
Curator, Haldun Dostoğlu, said: “When curating OMM’s inaugural exhibition, I was inspired by three truths: Eskisehir will gain its first modern art museum, Erol Tabanca will fulfil his dream of sharing his art collection with the public, and this wonderful collection - much of which has been behind closed doors for a number of years - will be showcased in its entirety for the first time.”
The collection has been brought together by Erol Tabanca over a period of 15 years and features more than a thousand works of art spanning the 1950s to the present day, championing pioneering twentieth-century figures as well as the next generation of contemporary artists. The collection features works by acclaimed artists from Turkey such as Burhan Doğançay, Canan Tolon, Azade Köker, Nejad Melih Devrim, Erol Akyavaş, Haluk Akakçe, Taner Ceylan, İnci Eviner, Gülsün Karamustafa and Erdağ Aksel, alongside international names including Peter Zimmerman, Jaume Plensa, Marc Quinn, Robert Longo, Aron Demetz, Julian Opie, Sarah Morris, Stephan Kaluza, Hans Op De Beeck, Massimo Giannoni, Seon Ghi Bahk, Alfred Haberpointner. OMM’s multidisciplinary exhibitions – many of which will be produced in collaboration with leading curators and creatives – and permanent galleries will be complemented by a dynamic public programme, offering seminars, artist talks and workshops.
Dassault Systèmes x Morphosis
Design in the Age of Experience
Anne Asensio of Dassault Systèmes speaks to Thom Mayne and Kerenza Harris from Morphosis about their collaboration on the "Interfaces" installation during Milan Design Week in April 2019
In the run-up to their collaborative installation Interfaces - set to be revealed during Milan Design Week in April 2019 - Dassault Systèmes and Morphosis discuss the interplay between science, art and design and the role of data and design thinking when applied to real-world issues facing urban environments today and in the future.
During Milan Design Week 2019, Dassault Systèmes returns to the exhibition space Superstudio Più. This is the leading 3D design software company’s latest collaboration with influential members of the design community, to reinforce its mission to create a more sustainable, resilient and regenerative world through design.
Dassault Systèmes’ event “Design in the Age of Experience” examines how pioneering innovations can drive change in our cities, mobility networks, energy use, and daily endeavors to reduce humankind’s damaging impact on our planet. Visitors are encouraged to experience solutions provided by Dassault Systèmes’ 3DEXPERIENCE platform through a varied program of activities throughout the week.
“Architects and designers are defining our habitat, our living experiences. In a ‘now’ hybrid, data enabled, mixed virtual and real environment, Morphosis’ installation is projecting a regenerative future by questioning our relation to the world.”
Anne Asensio,
Vice President of Design Experience & Innovation, Dassault Systèmes”
“Interfaces” by Morphosis
Following the success of the 2018 collaboration with global thought leaders Kengo Kuma, Daan Roosegaarde, Wesley Goatley and Superflux, this year’s Design in the Age of Experience will feature “Inter faces,” an immersive installation created in collaboration with Los Angeles-based architecture practice Morphosis.
Thom Mayne, Kerenza Harris and Eric Meyer of Morphosis will reveal this interactive experience examining the role of design thinking when applied to real-world issues facing urban environments today and in the future. The exhibition takes as its content real models and data from Morphosis’ projects, designed with Dassault Systèmes’ software solutions. Using augmented reality and digital projection, “Interfaces“ immerses viewers in an interplay of data and decisions embedded in the contemporary design process.
Animated rotating panels are transformed into interfaces that connect human experience to contemporary design environments: solar and energy efficiency studies, human experience parameters such as interior climate, material economies, production streams and the building’s relationship to its urban context.
Thom Mayne, Principal Founder, Morphosis Architects
“The installation is part of an ongoing collaborative merging of digital work - that’s Dassault Systèmes’ world - and the world we work in as architects. It represents the alignment of these two worlds, an alignment that entails a different definition of who architects are and how they contribute to the
world. Through this alignment, there is clear opportunity for a radical expansion of our role to address broader urban infrastructure, global social and environmental issues, and large scale projects. But the dialogue is essential. We wouldn’t operate under the same terms without this collaboration.”
Thom Mayne, Principal Founder, Morphosis Architects”
This open conversation as part of Dassault Systèmes' varied conference program during Milan Design Week
INTERFACES : Discover the Morphosis Installation
Daily from 11.30am to 12.15pm